El teatro en la ciudad de Murcia durante la guerra civil
This work tries to study with thoroughness the aesthetic tendencies of the theater written or represented during the war, neither the attitude of the authors or the intentionality of works, task or made by other investigators who mention themselves in the bibliography. Its purpose is to gather in fo...
Guardado en:
| Autor principal: | |
|---|---|
| Otros Autores: | |
| Formato: | text (thesis) |
| Lenguaje: | spa |
| Publicado: |
Universidad de Murcia (España)
2001
|
| Materias: | |
| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaites?codigo=18528 |
| Etiquetas: |
Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
| id |
oai-TES0000001281 |
|---|---|
| record_format |
dspace |
| institution |
DialNet |
| collection |
DialNet |
| language |
spa |
| topic |
Theatrical billboard City of Murcia Civil War (Spain) Companies of Theatre Actors |
| spellingShingle |
Theatrical billboard City of Murcia Civil War (Spain) Companies of Theatre Actors Martínez-López, Maribel El teatro en la ciudad de Murcia durante la guerra civil |
| description |
This work tries to study with thoroughness the aesthetic tendencies of the theater written
or represented during the war, neither the attitude of the authors or the intentionality of
works, task or made by other investigators who mention themselves in the bibliography.
Its purpose is to gather in form of cards and tables all the theater manifestations that
took place in this period. It offers interesting information about companies, actors,
directors, works... that passed by the city of Murcia. It allows a comparison with the
billboards of the great theater nuclei, Madrid and Barcelona, and contributes more data
to the history of the theater representations in republican Spain during the Spanish civil
war. Of the same form, it completes the history of the theater billboard of the city of
Murcia initiated by other investigators. The information has like main source newspapers of the time, but these present/display lagoons and raise too many mistakes
in titles, in the names of the authors, the schedules of the representations... For that
reason, it is completed with other bibliographical sources and the main difficulties or
doubts at the time of gathering the data are explained of the billboards, that can offer
variations in different newspapers. When comparing the results with the presented ones
in other works of the several that have in the last been developed years around this line
of investigation, are perceived clearly that many of the circumstances which they took
place in the theater scope were similar to those of other zones of nonnational Spain: the
theaters continued open during all the fight being, along with the cinema, the main
means of entertainment of the town. The billboards are a mere continuation of which it
was imagining before the beginning of the war, although small changes took place, like
some attempts to create an urgency theater or the scorn towards before very aplaudios
authors in the scenes and now rejected because having declared affection to the opposite
side. |
| author2 |
Oliva Olivares, César (Universidad de Murcia) |
| author_facet |
Oliva Olivares, César (Universidad de Murcia) Martínez-López, Maribel |
| format |
text (thesis) |
| author |
Martínez-López, Maribel |
| author_sort |
Martínez-López, Maribel |
| title |
El teatro en la ciudad de Murcia durante la guerra civil |
| title_short |
El teatro en la ciudad de Murcia durante la guerra civil |
| title_full |
El teatro en la ciudad de Murcia durante la guerra civil |
| title_fullStr |
El teatro en la ciudad de Murcia durante la guerra civil |
| title_full_unstemmed |
El teatro en la ciudad de Murcia durante la guerra civil |
| title_sort |
el teatro en la ciudad de murcia durante la guerra civil |
| publisher |
Universidad de Murcia (España) |
| publishDate |
2001 |
| url |
https://dialnet.unirioja.es/servlet/oaites?codigo=18528 |
| work_keys_str_mv |
AT martinezlopezmaribel elteatroenlaciudaddemurciadurantelaguerracivil |
| _version_ |
1718346586261553152 |
| spelling |
oai-TES00000012812019-05-14El teatro en la ciudad de Murcia durante la guerra civilMartínez-López, MaribelTheatrical billboardCity of MurciaCivil War (Spain)Companies of TheatreActorsThis work tries to study with thoroughness the aesthetic tendencies of the theater written or represented during the war, neither the attitude of the authors or the intentionality of works, task or made by other investigators who mention themselves in the bibliography. Its purpose is to gather in form of cards and tables all the theater manifestations that took place in this period. It offers interesting information about companies, actors, directors, works... that passed by the city of Murcia. It allows a comparison with the billboards of the great theater nuclei, Madrid and Barcelona, and contributes more data to the history of the theater representations in republican Spain during the Spanish civil war. Of the same form, it completes the history of the theater billboard of the city of Murcia initiated by other investigators. The information has like main source newspapers of the time, but these present/display lagoons and raise too many mistakes in titles, in the names of the authors, the schedules of the representations... For that reason, it is completed with other bibliographical sources and the main difficulties or doubts at the time of gathering the data are explained of the billboards, that can offer variations in different newspapers. When comparing the results with the presented ones in other works of the several that have in the last been developed years around this line of investigation, are perceived clearly that many of the circumstances which they took place in the theater scope were similar to those of other zones of nonnational Spain: the theaters continued open during all the fight being, along with the cinema, the main means of entertainment of the town. The billboards are a mere continuation of which it was imagining before the beginning of the war, although small changes took place, like some attempts to create an urgency theater or the scorn towards before very aplaudios authors in the scenes and now rejected because having declared affection to the opposite side.Este trabajo no pretende estudiar con detenimiento las tendencias estéticas del teatro escrito o representado durante la guerra, ni la actitud de los autores o la intencionalidad de las obras, tarea ya realizada por otros investigadores que se citan en la bibliografía. Su finalidad es recoger en forma de fichas y tablas todas las manifestaciones teatrales que tuvieron lugar en este periodo. Ofrece interesante información acerca de compañías, actores, directores, obras... que pasaron por la ciudad de Murcia. Ello permite una comparación con las carteleras de los grandes núcleos teatrales, Madrid y Barcelona, y aporta más datos a la historia de las representaciones teatrales en la España republicana durante la guerra civil española. De la misma forma, completa la historia de la cartelera teatral de la ciudad de Murcia iniciada por otros investigadores. La información tiene como fuente principal los periódicos de la época, pero éstos presentan lagunas y plantean demasiadas erratas en los títulos, en los nombres de los autores, en los horarios de las representaciones... Por ello, se completa con otras fuentes bibliográficas y se explican las principales dificultades o dudas a la hora de recoger los datos de las carteleras, que pueden ofrecer variaciones en los diferentes periódicos. Al comparar los resultados con los presentados en otros trabajos de los varios que se han desarrollado en los últimos años en torno a esta línea de investigación, se percibe claramente que muchas de las circunstancias que se produjeron en el ámbito teatral fueron similares a las de otras zonas de la España no nacional: los teatros continuaron abiertos durante toda la contienda siendo, junto con el cine, el principal medio de entretenimiento del pueblo. Las carteleras son una mera continuación de lo que se estaba representando antes del inicio de la guerra, aunque se produjeron pequeños cambios, como algunos intentos de crear un teatro de urgencia o el desprecio hacia autores antes muy aplaudidos en los escenarios y ahora rechazados por haberse declarado afectos al bando contrario.Universidad de Murcia (España)Oliva Olivares, César (Universidad de Murcia)2001text (thesis)application/pdfhttps://dialnet.unirioja.es/servlet/oaites?codigo=18528spaLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |