Die wahre Art das Clavier mit Fantasie. Gesto y tempo en los rondós y fantasías de C. P. E. Bach. Un referente para el complejo expresivo
This research aims to show an analytical approach from the performer perspective on the process of creating the musical meaning, understanding the composer also as an performer. To do this in the thesis has developed a method of analysis called complejo expresivo and forma emoción in which physical...
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| Formato: | text (thesis) |
| Lenguaje: | spa |
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Universidad de La Rioja (España)
2016
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| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaites?codigo=48481 |
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| Sumario: | This research aims to show an analytical approach from the performer perspective on the process of creating the musical meaning, understanding the composer also as an performer. To do this in the thesis has developed a method of analysis called complejo expresivo and forma emoción in which physical gestures (instrumental) and metaphorical gestures, as well as tempo in music, are valued as an essential part of the musical structure itself. This method has been contextualized organological and socioculturally on the rich and imaginative keyboard music of C. P. E. Bach, mainly rondos and fantasies |
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