Rituales dramático-festivos en la Grecia Moderna. Estudio terminológico de los ritos del Ciclo Festivo de la Navidad (dodecamerón), del carnaval y de primavera: origen, evolución y desarrollo.

In the present work an approach and study is made to the festivities that take place in different points of the Greek geography during the days of the festive period of Christmas and Carnival before the Orthodox Christian Easter, from the perspective of lexicography, in many of the cases in a compar...

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Detalles Bibliográficos
Autor principal: Molina Muñoz, Pedro Jesús
Otros Autores: Morfakidis Filaktos, Mosjos (Universidad de Granada)
Formato: text (thesis)
Lenguaje:spa
Publicado: Universidad de Granada (España) 2016
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Acceso en línea:https://dialnet.unirioja.es/servlet/oaites?codigo=108890
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Sumario:In the present work an approach and study is made to the festivities that take place in different points of the Greek geography during the days of the festive period of Christmas and Carnival before the Orthodox Christian Easter, from the perspective of lexicography, in many of the cases in a comparative way. This vision aims to be a diachronic study of the terminology that is currently used in these rites and which shows how these traditions sink their roots in the Antiquity, as well as highlights the multiple influences they have received, both terminologically and culturally. In this way, these festivities with a pan-European character, which have roots that are lost in the Antiquity, took a determined form in the ancient Greek culture, under the dominion of different cultic and religious rites, to be transported and expanded by all the places where the Greek influence has left its imprint. These rites of the traditional carnival are a reflection of its historical evolution throughout many centuries and they show, evidently, the features and elements that they have been adopting in its historical development. They reflect both elements in practice and in the lexicon, with terms adopted from the many languages and cultures that have come into contact with the Greek language and its millennial history. Roman, Slavic, Turkish, Italian, and Frankish influences can be seen, which have shaped the various characters involved in the ritual and its dramatic plot.