Enrique Fernández Arbós: la trayectoria profesional de un maestro español a través de la prensa londinense: 1891-1939
This PhD offers the first study of the musical life of the violinist, composer, teacher and conductor Enrique Fernández Arbós during his professional stay in London, and through the general English press of the time, framed between 1891 and 1939. Through the organization of the information obtaine...
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Universidad de La Rioja (España)
2020
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This PhD offers the first study of the musical life of the violinist, composer, teacher and conductor Enrique Fernández Arbós during
his professional stay in London, and through the general English press of the time, framed between 1891 and 1939. Through the
organization of the information obtained from the press - divided into advertisements and criticisms - in a database created
specifically for this thesis work, the information has been rigorously and exhaustively exploited and organized. The relationship of
all this information with the existing bibliography about the protagonist of the thesis has allowed us to analyze four fundamental
profiles in the musician's profession, these being performance, composition, teaching and conducting. We have been able to
establish a calendar of concerts, teaching activities and various events of the teacher, even establishing a professional itinerary
that includes specific references on his musical and professional activity in Spain. An approximate total of 4537 records has
allowed to build 200 total events between the years 1891 and 1939 distributed in the four mentioned profiles. The establishment of
the historical social and musical context of the time has allowed us to understand the situation of Enrique Fernández Arbós, as a
foreign professional musician in London, attending to the changes in the evolution of the nineteenth-century musician in one of the
fundamental places of musical art, attending to the causes of his mobility and the reasons that prompted him to settle abroad while
maintaining his professional life in Spain.
This work has also made it possible to carry out a prosopographic analysis of maestro Arbós with Spanish musicians, such as
Isaac Albéniz, Carlos Sobrino or Agustín Rubio, but also with international musicians such as Joseph Joachim, Henru Vieuxtemps
or Eugene Isayë.
Definitively, we have been able to verify the importance of the press as a means of studying the professionalization of the
musician, and in the case of this work, the strategy that it has assumed in the British capital to gradually become known and
integrated into London musical life.
Finally, the creation and use of the database can be considered a starting point for its application in the study of other musicians
through publications, both general and specialized. |
| author2 |
Cascudo García-Villaraco, Teresa (Universidad de La Rioja) |
| author_facet |
Cascudo García-Villaraco, Teresa (Universidad de La Rioja) Polo Cal, Rosalía |
| format |
text (thesis) |
| author |
Polo Cal, Rosalía |
| spellingShingle |
Polo Cal, Rosalía Enrique Fernández Arbós: la trayectoria profesional de un maestro español a través de la prensa londinense: 1891-1939 |
| author_sort |
Polo Cal, Rosalía |
| title |
Enrique Fernández Arbós: la trayectoria profesional de un maestro español a través de la prensa londinense: 1891-1939 |
| title_short |
Enrique Fernández Arbós: la trayectoria profesional de un maestro español a través de la prensa londinense: 1891-1939 |
| title_full |
Enrique Fernández Arbós: la trayectoria profesional de un maestro español a través de la prensa londinense: 1891-1939 |
| title_fullStr |
Enrique Fernández Arbós: la trayectoria profesional de un maestro español a través de la prensa londinense: 1891-1939 |
| title_full_unstemmed |
Enrique Fernández Arbós: la trayectoria profesional de un maestro español a través de la prensa londinense: 1891-1939 |
| title_sort |
enrique fernández arbós: la trayectoria profesional de un maestro español a través de la prensa londinense: 1891-1939 |
| publisher |
Universidad de La Rioja (España) |
| publishDate |
2020 |
| url |
https://dialnet.unirioja.es/servlet/oaites?codigo=285341 |
| work_keys_str_mv |
AT polocalrosalia enriquefernandezarboslatrayectoriaprofesionaldeunmaestroespanolatravesdelaprensalondinense18911939 |
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1718346692364861440 |
| spelling |
oai-TES00000229782021-02-10Enrique Fernández Arbós: la trayectoria profesional de un maestro español a través de la prensa londinense: 1891-1939Polo Cal, RosalíaThis PhD offers the first study of the musical life of the violinist, composer, teacher and conductor Enrique Fernández Arbós during his professional stay in London, and through the general English press of the time, framed between 1891 and 1939. Through the organization of the information obtained from the press - divided into advertisements and criticisms - in a database created specifically for this thesis work, the information has been rigorously and exhaustively exploited and organized. The relationship of all this information with the existing bibliography about the protagonist of the thesis has allowed us to analyze four fundamental profiles in the musician's profession, these being performance, composition, teaching and conducting. We have been able to establish a calendar of concerts, teaching activities and various events of the teacher, even establishing a professional itinerary that includes specific references on his musical and professional activity in Spain. An approximate total of 4537 records has allowed to build 200 total events between the years 1891 and 1939 distributed in the four mentioned profiles. The establishment of the historical social and musical context of the time has allowed us to understand the situation of Enrique Fernández Arbós, as a foreign professional musician in London, attending to the changes in the evolution of the nineteenth-century musician in one of the fundamental places of musical art, attending to the causes of his mobility and the reasons that prompted him to settle abroad while maintaining his professional life in Spain. This work has also made it possible to carry out a prosopographic analysis of maestro Arbós with Spanish musicians, such as Isaac Albéniz, Carlos Sobrino or Agustín Rubio, but also with international musicians such as Joseph Joachim, Henru Vieuxtemps or Eugene Isayë. Definitively, we have been able to verify the importance of the press as a means of studying the professionalization of the musician, and in the case of this work, the strategy that it has assumed in the British capital to gradually become known and integrated into London musical life. Finally, the creation and use of the database can be considered a starting point for its application in the study of other musicians through publications, both general and specialized.Esta tesis doctoral ofrece el primer estudio de la vida musical del violinista, compositor, docente y ddirector de orquesta Enrique Fernández Arbós durante su estancia profesional en Londres, y a través de la prensa inglesa generalista de la éopca, encuadrada entre 1891 y 1939. A través de la organización de la información obtenida de la prensa -desglosada en anuncios y críticas- en una base de datos creada específicamente para este trabajo de tesis, se ha ido explotando y organizando la información de forma rigurosa y exhaustiva. La relación de toda esta información con la bibliografía existente sobre el protagonista de la tesis nos ha permitido analizar cuatro perfiles fundamentales en la profesión del músico, siendo éstos la interpretación, la composición, la docencia y la dirección de orquesta. Hemos podido establecer un calendario de conciertos, actividades docentes y eventos varios del maestro, llegando a establecer un itinerario profesional que incluye referencias puntuales sobre su actividad musical y profesional en España. Un total aproximado de 4537 registros ha permitido construir 200 eventos totales entre los años 1891 y 1939 repartidos en los cuatro perfiles mecionados. El establecimiento del contexto hiestórico social y musical de la época ha permitido comprender la situación de Enrique Fernández Arbós, como músico profesional extranjero en Londres, atediendo a los cambios en la evolución del músico decimonónico en uno de los lugares fundamentales del arte musical, atendiendo a las causas de sus movilidades y los motivos que le impulsaron a establecerse en el extranjero al tiempo que mantenía su vida profesional en España. Este trabajo ha permitido además realizar un análisis prosopográfico del maestro Arbós con músicos españoles, de la talla de Isaac Albéniz, Carlos Sobrino o Agustín Rubio, pero también con músicos internacionales como Joseph Joachim, Henru Vieuxtemps o Eugene Isayë. Definitivamene, hemos podido constatar la importancia de la prensa como medio de estudio de la profesionalización del músico, y para el caso de este trabajo la estrategia que ha supuesto en la capital británica para darse a conocer e integrarse gradualmente en la vida musical londinense. Por útlimo, la creación y uso de la base de datos puede considerarse un punto de partida para su aplicación en el estudio de otros músicos a través de publicaciones, tanto generalistas como especializadas.Universidad de La Rioja (España)Cascudo García-Villaraco, Teresa (Universidad de La Rioja)2020text (thesis)application/pdfhttps://dialnet.unirioja.es/servlet/oaites?codigo=285341spaLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. 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