Exploring the Virulent Jazz Counterculture in Mumbo Jumbo
This article will be focusing on Ishmael Reed’s Mumbo Jumbo (1972), a vibrant postmodernist text, which offers a fresh perspective on the rise of black popular culture in the form of Jes Grew, which is largely informed by jazz and neo-hoodoo aesthetics. Jes Grew, the phenomenon which binds the multi...
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| Formato: | article |
| Lenguaje: | EN |
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University of Edinburgh
2021
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| Acceso en línea: | https://doaj.org/article/000499761ad64312ad189c180da8bda9 |
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