Dressing Uncivil Neighbor(hood)s. Walt Whitman's Adhesive Democracy in “Calamus” and “Drum-Taps”
This article analyzes 19th-century US poet Walt Whitman’s vindication of “adhesiveness” as imperative to the formation of a social democracy which might heal the neighborly hatreds of a divided United States and bind the nation together at a time of violent fragmentation and Civil War. The article e...
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Universitat de Barcelona
2014
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oai:doaj.org-article:01bf9fbacd7f42caa15ab0586b1700bd2021-12-02T19:36:59ZDressing Uncivil Neighbor(hood)s. Walt Whitman's Adhesive Democracy in “Calamus” and “Drum-Taps”1136-57812013-9470https://doaj.org/article/01bf9fbacd7f42caa15ab0586b1700bd2014-10-01T00:00:00Zhttp://revistes.ub.edu/index.php/lectora/article/view/10722https://doaj.org/toc/1136-5781https://doaj.org/toc/2013-9470This article analyzes 19th-century US poet Walt Whitman’s vindication of “adhesiveness” as imperative to the formation of a social democracy which might heal the neighborly hatreds of a divided United States and bind the nation together at a time of violent fragmentation and Civil War. The article examines Whitman’s location of the possibility of politics and democracy at the interpersonal level, and connects the poet’s political project in his 1860 “Calamus” with that in the 1865 “Drum-Taps”, studying how Whitman’s belief in the uniting capacity of love between men remained constant even as he was witnessing the tragic consequences of a four-year Civil War which would widen even more the irreconcilable gulfs between different Americans.Laura López PeñaUniversitat de BarcelonaarticleWalt Whitmanadhesive lovedemocracy“Calamus”“Drum-Taps”Women. FeminismHQ1101-2030.7CAENESEUFRGLITPTLectora: Revista de Dones i Textualitat, Iss 20 (2014) |
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Walt Whitman adhesive love democracy “Calamus” “Drum-Taps” Women. Feminism HQ1101-2030.7 |
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Walt Whitman adhesive love democracy “Calamus” “Drum-Taps” Women. Feminism HQ1101-2030.7 Laura López Peña Dressing Uncivil Neighbor(hood)s. Walt Whitman's Adhesive Democracy in “Calamus” and “Drum-Taps” |
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This article analyzes 19th-century US poet Walt Whitman’s vindication of “adhesiveness” as imperative to the formation of a social democracy which might heal the neighborly hatreds of a divided United States and bind the nation together at a time of violent fragmentation and Civil War. The article examines Whitman’s location of the possibility of politics and democracy at the interpersonal level, and connects the poet’s political project in his 1860 “Calamus” with that in the 1865 “Drum-Taps”, studying how Whitman’s belief in the uniting capacity of love between men remained constant even as he was witnessing the tragic consequences of a four-year Civil War which would widen even more the irreconcilable gulfs between different Americans. |
format |
article |
author |
Laura López Peña |
author_facet |
Laura López Peña |
author_sort |
Laura López Peña |
title |
Dressing Uncivil Neighbor(hood)s. Walt Whitman's Adhesive Democracy in “Calamus” and “Drum-Taps” |
title_short |
Dressing Uncivil Neighbor(hood)s. Walt Whitman's Adhesive Democracy in “Calamus” and “Drum-Taps” |
title_full |
Dressing Uncivil Neighbor(hood)s. Walt Whitman's Adhesive Democracy in “Calamus” and “Drum-Taps” |
title_fullStr |
Dressing Uncivil Neighbor(hood)s. Walt Whitman's Adhesive Democracy in “Calamus” and “Drum-Taps” |
title_full_unstemmed |
Dressing Uncivil Neighbor(hood)s. Walt Whitman's Adhesive Democracy in “Calamus” and “Drum-Taps” |
title_sort |
dressing uncivil neighbor(hood)s. walt whitman's adhesive democracy in “calamus” and “drum-taps” |
publisher |
Universitat de Barcelona |
publishDate |
2014 |
url |
https://doaj.org/article/01bf9fbacd7f42caa15ab0586b1700bd |
work_keys_str_mv |
AT lauralopezpena dressinguncivilneighborhoodswaltwhitmansadhesivedemocracyincalamusanddrumtaps |
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1718376301929168896 |