Que bom te ver viva: vozes femininas reivindicando uma outra história
The right to determine the meaning of the military dictatorship in Brazil has been a constant dispute between members of the militant left and the military regime. The language used by the two groups constantly revolves around the mythic images of “heroes”, “victims”, “for the good of the people”. T...
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Universidade de Brasília
2014
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oai:doaj.org-article:01e92a3f966b4506b91ee3587fcaae072021-11-11T15:52:08ZQue bom te ver viva: vozes femininas reivindicando uma outra história1518-01582316-4018https://doaj.org/article/01e92a3f966b4506b91ee3587fcaae072014-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=323130679003https://doaj.org/toc/1518-0158https://doaj.org/toc/2316-4018The right to determine the meaning of the military dictatorship in Brazil has been a constant dispute between members of the militant left and the military regime. The language used by the two groups constantly revolves around the mythic images of “heroes”, “victims”, “for the good of the people”. This essay focuses on Que bom te ver viva, by Lúcia Murat, who brings a new perspective to this debate. Taking as a point of departure the testimony of eight ex-political prisoners, the film attempts to answer the question: How did we survive?” The essay discusses how the movie builds frames of memory that go beyond those taken as representative.Kátia da Costa BezerraUniversidade de Brasíliaarticlemilitary dictatorshipwomenviolenceagencytorturememoryFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999ESPTEstudos de Literatura Brasileira Contemporânea, Iss 43, Pp 35-48 (2014) |
| institution |
DOAJ |
| collection |
DOAJ |
| language |
ES PT |
| topic |
military dictatorship women violence agency torture memory French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 |
| spellingShingle |
military dictatorship women violence agency torture memory French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Kátia da Costa Bezerra Que bom te ver viva: vozes femininas reivindicando uma outra história |
| description |
The right to determine the meaning of the military dictatorship in Brazil has been a constant dispute between members of the militant left and the military regime. The language used by the two groups constantly revolves around the mythic images of “heroes”, “victims”, “for the good of the people”. This essay focuses on Que bom te ver viva, by Lúcia Murat, who brings a new perspective to this debate. Taking as a point of departure the testimony of eight ex-political prisoners, the film attempts to answer the question: How did we survive?” The essay discusses how the movie builds frames of memory that go beyond those taken as representative. |
| format |
article |
| author |
Kátia da Costa Bezerra |
| author_facet |
Kátia da Costa Bezerra |
| author_sort |
Kátia da Costa Bezerra |
| title |
Que bom te ver viva: vozes femininas reivindicando uma outra história |
| title_short |
Que bom te ver viva: vozes femininas reivindicando uma outra história |
| title_full |
Que bom te ver viva: vozes femininas reivindicando uma outra história |
| title_fullStr |
Que bom te ver viva: vozes femininas reivindicando uma outra história |
| title_full_unstemmed |
Que bom te ver viva: vozes femininas reivindicando uma outra história |
| title_sort |
que bom te ver viva: vozes femininas reivindicando uma outra história |
| publisher |
Universidade de Brasília |
| publishDate |
2014 |
| url |
https://doaj.org/article/01e92a3f966b4506b91ee3587fcaae07 |
| work_keys_str_mv |
AT katiadacostabezerra quebomtevervivavozesfemininasreivindicandoumaoutrahistoria |
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1718433219023470592 |