The progression pattern of male hyrax songs and the role of climactic ending

Abstract The study of animal vocal signals can either focus on the properties of distinct vocal elements or address the signal as a whole. Although some attention has been given to the continuous progression patterns of bird songs, such patterns in mammalian vocalisations have been largely overlooke...

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Autores principales: Vlad Demartsev, Amiyaal Ilany, Arik Kershenbaum, Yair Geva, Ori Margalit, Inbar Schnitzer, Adi Barocas, Einat Bar-Ziv, Lee Koren, Eli Geffen
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Publicado: Nature Portfolio 2017
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spelling oai:doaj.org-article:025190388bb14472add38fba544976f62021-12-02T12:31:59ZThe progression pattern of male hyrax songs and the role of climactic ending10.1038/s41598-017-03035-x2045-2322https://doaj.org/article/025190388bb14472add38fba544976f62017-06-01T00:00:00Zhttps://doi.org/10.1038/s41598-017-03035-xhttps://doaj.org/toc/2045-2322Abstract The study of animal vocal signals can either focus on the properties of distinct vocal elements or address the signal as a whole. Although some attention has been given to the continuous progression patterns of bird songs, such patterns in mammalian vocalisations have been largely overlooked. We examined temporal changes in structural and acoustic parameters in male rock hyrax songs. We found a gradual increase in call frequency and amplitude towards the song ending, as well as an abrupt increase in bout syntactic complexity, peaking in the last quintile of a song. In musical terms, such a pattern can be described as a crescendo (amplitude increase) with a terminal climax. In Western music, crescendos are used to maintain attention and direct the listeners towards a memorable highpoint of the musical piece. This structure may have an analogous function in animal communication, recruiting audience attention towards the climactic and potentially most informative part of the signal. Our playback experiments revealed that hyrax males tend to reply more to songs with a climactic ending, indicating that this progression pattern is important for hyrax communication. We suggest that animal vocal communication research can benefit from adding musical concepts to the analysis toolbox.Vlad DemartsevAmiyaal IlanyArik KershenbaumYair GevaOri MargalitInbar SchnitzerAdi BarocasEinat Bar-ZivLee KorenEli GeffenNature PortfolioarticleMedicineRScienceQENScientific Reports, Vol 7, Iss 1, Pp 1-11 (2017)
institution DOAJ
collection DOAJ
language EN
topic Medicine
R
Science
Q
spellingShingle Medicine
R
Science
Q
Vlad Demartsev
Amiyaal Ilany
Arik Kershenbaum
Yair Geva
Ori Margalit
Inbar Schnitzer
Adi Barocas
Einat Bar-Ziv
Lee Koren
Eli Geffen
The progression pattern of male hyrax songs and the role of climactic ending
description Abstract The study of animal vocal signals can either focus on the properties of distinct vocal elements or address the signal as a whole. Although some attention has been given to the continuous progression patterns of bird songs, such patterns in mammalian vocalisations have been largely overlooked. We examined temporal changes in structural and acoustic parameters in male rock hyrax songs. We found a gradual increase in call frequency and amplitude towards the song ending, as well as an abrupt increase in bout syntactic complexity, peaking in the last quintile of a song. In musical terms, such a pattern can be described as a crescendo (amplitude increase) with a terminal climax. In Western music, crescendos are used to maintain attention and direct the listeners towards a memorable highpoint of the musical piece. This structure may have an analogous function in animal communication, recruiting audience attention towards the climactic and potentially most informative part of the signal. Our playback experiments revealed that hyrax males tend to reply more to songs with a climactic ending, indicating that this progression pattern is important for hyrax communication. We suggest that animal vocal communication research can benefit from adding musical concepts to the analysis toolbox.
format article
author Vlad Demartsev
Amiyaal Ilany
Arik Kershenbaum
Yair Geva
Ori Margalit
Inbar Schnitzer
Adi Barocas
Einat Bar-Ziv
Lee Koren
Eli Geffen
author_facet Vlad Demartsev
Amiyaal Ilany
Arik Kershenbaum
Yair Geva
Ori Margalit
Inbar Schnitzer
Adi Barocas
Einat Bar-Ziv
Lee Koren
Eli Geffen
author_sort Vlad Demartsev
title The progression pattern of male hyrax songs and the role of climactic ending
title_short The progression pattern of male hyrax songs and the role of climactic ending
title_full The progression pattern of male hyrax songs and the role of climactic ending
title_fullStr The progression pattern of male hyrax songs and the role of climactic ending
title_full_unstemmed The progression pattern of male hyrax songs and the role of climactic ending
title_sort progression pattern of male hyrax songs and the role of climactic ending
publisher Nature Portfolio
publishDate 2017
url https://doaj.org/article/025190388bb14472add38fba544976f6
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