Enactive Aesthetics and Neuroaesthetics

In this paper, I review recent enactive approaches to art and aesthetic experience. Radical enactivists (Hutto, 2015) claim that our engagement with art is extensive, in the sense that it is non-contentful and artifact-including. Gallagher (2011) defends an embodied-enactive account of the specific...

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Autor principal: Joerg Fingerhut
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FR
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Publicado: Rosenberg & Sellier 2018
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Acceso en línea:https://doaj.org/article/03576a1847094fe490260b689992992c
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spelling oai:doaj.org-article:03576a1847094fe490260b689992992c2021-12-02T10:07:09ZEnactive Aesthetics and Neuroaesthetics10.13128/Phe_Mi-236272280-78532239-4028https://doaj.org/article/03576a1847094fe490260b689992992c2018-09-01T00:00:00Zhttps://oaj.fupress.net/index.php/pam/article/view/7309https://doaj.org/toc/2280-7853https://doaj.org/toc/2239-4028In this paper, I review recent enactive approaches to art and aesthetic experience. Radical enactivists (Hutto, 2015) claim that our engagement with art is extensive, in the sense that it is non-contentful and artifact-including. Gallagher (2011) defends an embodied-enactive account of the specific kind of affordances artworks provide. For Noë (2015) art is a reorganizational practice. Each of these accounts claims that empirical (neuro)aesthetics is incapable of capturing the art-related engagement they want to highlight. While I agree on the relational and enactive nature of the mind and see the presented theories as important contributions to our understanding of art and aesthetics, I will argue that their dismissal of empirical aesthetics is misguided on several counts. A more qualified look can reveal relevant empirical research for claims enactive theorists should be interested in. Their criticism is either too general regarding the empirical methods employed or based on philosophical claims that themselves can be subjected to empirical scrutiny.Joerg FingerhutRosenberg & SellierarticleenactivismexternalismneuroaestheticsartAestheticsBH1-301EthicsBJ1-1725ENFRITPhenomenology and Mind, Iss 14 (2018)
institution DOAJ
collection DOAJ
language EN
FR
IT
topic enactivism
externalism
neuroaesthetics
art
Aesthetics
BH1-301
Ethics
BJ1-1725
spellingShingle enactivism
externalism
neuroaesthetics
art
Aesthetics
BH1-301
Ethics
BJ1-1725
Joerg Fingerhut
Enactive Aesthetics and Neuroaesthetics
description In this paper, I review recent enactive approaches to art and aesthetic experience. Radical enactivists (Hutto, 2015) claim that our engagement with art is extensive, in the sense that it is non-contentful and artifact-including. Gallagher (2011) defends an embodied-enactive account of the specific kind of affordances artworks provide. For Noë (2015) art is a reorganizational practice. Each of these accounts claims that empirical (neuro)aesthetics is incapable of capturing the art-related engagement they want to highlight. While I agree on the relational and enactive nature of the mind and see the presented theories as important contributions to our understanding of art and aesthetics, I will argue that their dismissal of empirical aesthetics is misguided on several counts. A more qualified look can reveal relevant empirical research for claims enactive theorists should be interested in. Their criticism is either too general regarding the empirical methods employed or based on philosophical claims that themselves can be subjected to empirical scrutiny.
format article
author Joerg Fingerhut
author_facet Joerg Fingerhut
author_sort Joerg Fingerhut
title Enactive Aesthetics and Neuroaesthetics
title_short Enactive Aesthetics and Neuroaesthetics
title_full Enactive Aesthetics and Neuroaesthetics
title_fullStr Enactive Aesthetics and Neuroaesthetics
title_full_unstemmed Enactive Aesthetics and Neuroaesthetics
title_sort enactive aesthetics and neuroaesthetics
publisher Rosenberg & Sellier
publishDate 2018
url https://doaj.org/article/03576a1847094fe490260b689992992c
work_keys_str_mv AT joergfingerhut enactiveaestheticsandneuroaesthetics
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