TELENOVELA AMBIVALENTE: a oscilação entre a dureza da hegemonia e os “mal ajustes” da decodiÞ cação
Considered the greatest product of the Brazilian Cultural Industry the soap opera is a fundamental mechanism to understanding the relationship between the market logic of the mass media and cultural and popular practices. Undeniable reinforcements of hegemonic thought pass through the soap opera, bu...
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Universidade Federal do Maranhão
2018
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oai:doaj.org-article:0429120f226c4c4e9b06da47752cd0142021-11-11T15:50:47ZTELENOVELA AMBIVALENTE: a oscilação entre a dureza da hegemonia e os “mal ajustes” da decodiÞ cação2178-2865https://doaj.org/article/0429120f226c4c4e9b06da47752cd0142018-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=321158844035https://doaj.org/toc/2178-2865Considered the greatest product of the Brazilian Cultural Industry the soap opera is a fundamental mechanism to understanding the relationship between the market logic of the mass media and cultural and popular practices. Undeniable reinforcements of hegemonic thought pass through the soap opera, but something more transits there, a way of reading and popular appropriation that uses it as a vehicle for new symbolic practices and attribution of meaning that permeate the relations of power always intended - between dominators and dominated.Larissa Leda Fonseca RochaUniversidade Federal do Maranhãoarticlesoap operahegemonyencodingdecodingPolitical scienceJPolitical institutions and public administration (General)JF20-2112ENESFRPTRevista de Políticas Públicas, Vol 22, Pp 707-722 (2018) |
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EN ES FR PT |
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soap opera hegemony encoding decoding Political science J Political institutions and public administration (General) JF20-2112 |
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soap opera hegemony encoding decoding Political science J Political institutions and public administration (General) JF20-2112 Larissa Leda Fonseca Rocha TELENOVELA AMBIVALENTE: a oscilação entre a dureza da hegemonia e os “mal ajustes” da decodiÞ cação |
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Considered the greatest product of the Brazilian Cultural Industry the soap opera is a fundamental mechanism to understanding the relationship between the market logic of the mass media and cultural and popular practices. Undeniable reinforcements of hegemonic thought pass through the soap opera, but something more transits there, a way of reading and popular appropriation that uses it as a vehicle for new symbolic practices and attribution of meaning that permeate the relations of power always intended - between dominators and dominated. |
format |
article |
author |
Larissa Leda Fonseca Rocha |
author_facet |
Larissa Leda Fonseca Rocha |
author_sort |
Larissa Leda Fonseca Rocha |
title |
TELENOVELA AMBIVALENTE: a oscilação entre a dureza da hegemonia e os “mal ajustes” da decodiÞ cação |
title_short |
TELENOVELA AMBIVALENTE: a oscilação entre a dureza da hegemonia e os “mal ajustes” da decodiÞ cação |
title_full |
TELENOVELA AMBIVALENTE: a oscilação entre a dureza da hegemonia e os “mal ajustes” da decodiÞ cação |
title_fullStr |
TELENOVELA AMBIVALENTE: a oscilação entre a dureza da hegemonia e os “mal ajustes” da decodiÞ cação |
title_full_unstemmed |
TELENOVELA AMBIVALENTE: a oscilação entre a dureza da hegemonia e os “mal ajustes” da decodiÞ cação |
title_sort |
telenovela ambivalente: a oscilação entre a dureza da hegemonia e os “mal ajustes” da decodiþ cação |
publisher |
Universidade Federal do Maranhão |
publishDate |
2018 |
url |
https://doaj.org/article/0429120f226c4c4e9b06da47752cd014 |
work_keys_str_mv |
AT larissaledafonsecarocha telenovelaambivalenteaoscilacaoentreadurezadahegemoniaeosmalajustesdadecodiþcacao |
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1718433423242035200 |