Na sala de edição: “Mãe judia, 1964”, de Moacyr Scliar
In contemporary Brazil, efforts continue to conceal liabilities of crimes committed during the years of dictatorship and to alter or weaken the testimony of victims who have spoken out against their perpetrators. This article explores how the short story “Jewish mother, 1964” by Moacyr Scliar, under...
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Universidade de Brasília
2014
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oai:doaj.org-article:04296b5d96bf429094073b5a021743022021-11-11T15:52:08ZNa sala de edição: “Mãe judia, 1964”, de Moacyr Scliar1518-01582316-4018https://doaj.org/article/04296b5d96bf429094073b5a021743022014-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=323130679006https://doaj.org/toc/1518-0158https://doaj.org/toc/2316-4018In contemporary Brazil, efforts continue to conceal liabilities of crimes committed during the years of dictatorship and to alter or weaken the testimony of victims who have spoken out against their perpetrators. This article explores how the short story “Jewish mother, 1964” by Moacyr Scliar, under the guise of a coming-of-age story and a monologue of a mentally ill patient, sheds light on violent practices that, without leaving visible marks on the body, have incurred serious and longstanding wounds within Brazilian society. Readers are made to see how persuasion, trivialization, and silencing are complicit in the “normalizing” of recent and traumatic histories. If made recognizable, this silencing practice could directly be challenged.Nicola GavioliUniversidade de Brasíliaarticlemoacyr scliardictatorshipmanipulationconcealmentFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999ESPTEstudos de Literatura Brasileira Contemporânea, Iss 43, Pp 99-110 (2014) |
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moacyr scliar dictatorship manipulation concealment French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 |
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moacyr scliar dictatorship manipulation concealment French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Nicola Gavioli Na sala de edição: “Mãe judia, 1964”, de Moacyr Scliar |
description |
In contemporary Brazil, efforts continue to conceal liabilities of crimes committed during the years of dictatorship and to alter or weaken the testimony of victims who have spoken out against their perpetrators. This article explores how the short story “Jewish mother, 1964” by Moacyr Scliar, under the guise of a coming-of-age story and a monologue of a mentally ill patient, sheds light on violent practices that, without leaving visible marks on the body, have incurred serious and longstanding wounds within Brazilian society. Readers are made to see how persuasion, trivialization, and silencing are complicit in the “normalizing” of recent and traumatic histories. If made recognizable, this silencing practice could directly be challenged. |
format |
article |
author |
Nicola Gavioli |
author_facet |
Nicola Gavioli |
author_sort |
Nicola Gavioli |
title |
Na sala de edição: “Mãe judia, 1964”, de Moacyr Scliar |
title_short |
Na sala de edição: “Mãe judia, 1964”, de Moacyr Scliar |
title_full |
Na sala de edição: “Mãe judia, 1964”, de Moacyr Scliar |
title_fullStr |
Na sala de edição: “Mãe judia, 1964”, de Moacyr Scliar |
title_full_unstemmed |
Na sala de edição: “Mãe judia, 1964”, de Moacyr Scliar |
title_sort |
na sala de edição: “mãe judia, 1964”, de moacyr scliar |
publisher |
Universidade de Brasília |
publishDate |
2014 |
url |
https://doaj.org/article/04296b5d96bf429094073b5a02174302 |
work_keys_str_mv |
AT nicolagavioli nasaladeedicaomaejudia1964demoacyrscliar |
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1718433219232137216 |