Los archivos orales de Koolhaas. El papel epistemológico del maratón de entrevistas
Koolhaas is, above all, an interviewer. His interviews contribute to his architectural production as a way of working, thinking and speculating. He approaches these formats as archives to expand the notion of the interview as a meaningful form of knowledge. They are oral archives that are part of th...
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| Formato: | article |
| Lenguaje: | ES |
| Publicado: |
redfundamentos SL
2021
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| Materias: | |
| Acceso en línea: | https://doaj.org/article/0682002293224f3fb4c10419fd079767 |
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| Sumario: | Koolhaas is, above all, an interviewer. His interviews contribute to his architectural production as a way of working, thinking and speculating. He approaches these formats as archives to expand the notion of the interview as a meaningful form of knowledge. They are oral archives that are part of the oral history of architecture, a discipline very little theorized and with hardly any conceptualization of the architectural interview. Koolhaas' marathon interviewing work is a vehicle for the production of critical thought where he uses his interviews with a practical, theoretical and critical function; and with this he contributes to the understanding of the essayistic, instrumental and speculative value of oral transmission as a projectual strategy in itself.
Koolhaas understands the pulse of change through his interviewees and makes a great effort to find out what architecture will be like if the conditions fabricated by neoliberalism make it irrelevant. This question is crucial in the present moment: the mixture of trying to revisit through interviews what has happened by recoding it and what is happening read unprejudiced, intellectualizing it as an epistemological form and as a tool to be able to work with pressing problems that allow us to face the future with a critical position. |
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