Performance Art Using Biometric Data

This research analyzes performance art that uses biometric data, based on two concept perspectives – inhuman interconnections and transcorporeality – applied to examples of European performance art from Lithuania, Finland, Poland, and Denmark. The term performance art theoretically refers to all art...

Descripción completa

Guardado en:

Detalles Bibliográficos
Autor principal:	Griniuk Marija
Formato:	article
Lenguaje:	EN
Publicado:	Sciendo 2021
Materias:	performance art biometric data inhuman interconnections transcorporeality Fine Arts N
Acceso en línea:	https://doaj.org/article/06f979ca2111458791da1353d05641f9
Etiquetas:	Agregar Etiqueta Sin Etiquetas, Sea el primero en etiquetar este registro!

id	oai:doaj.org-article:06f979ca2111458791da1353d05641f9
record_format	dspace
spelling	oai:doaj.org-article:06f979ca2111458791da1353d05641f92021-12-05T14:11:08ZPerformance Art Using Biometric Data1822-454710.2478/mik-2021-0009https://doaj.org/article/06f979ca2111458791da1353d05641f92021-12-01T00:00:00Zhttps://doi.org/10.2478/mik-2021-0009https://doaj.org/toc/1822-4547This research analyzes performance art that uses biometric data, based on two concept perspectives – inhuman interconnections and transcorporeality – applied to examples of European performance art from Lithuania, Finland, Poland, and Denmark. The term performance art theoretically refers to all art that involves the human body, human biometric data, inhuman interconnections, transcorporeality, and liminal space. This study examines the differences between wide-scope interactive art and design and performance art involving biometric data created through the application of recent developments in consumer technology for live events. This research examined three case projects through the method of autoethnography. The data presented in the article was either collected during the author’s performance art events or at performances the author was attending as a visitor. The cases are analyzed by means of qualitative data analysis, utilizing terms representing human biometric data and interactivity adopted from research within the fields of interactive art and interactive design. The study examines the combination of biometric data and art to explain the phenomenon of humans meeting technology, revealed through data collected from a body and transmitted to an audience during a performance art event. The conclusion revisits the key terms – performance art, biometric data, inhuman interconnections and transcorporeality – as applied to artistic practices, where performance art and biometric data meet.Griniuk MarijaSciendoarticleperformance artbiometric datainhuman interconnectionstranscorporealityFine ArtsNENMeno Istorija ir Kritika, Vol 17, Iss 1, Pp 101-112 (2021)
institution	DOAJ
collection	DOAJ
language	EN
topic	performance art biometric data inhuman interconnections transcorporeality Fine Arts N
spellingShingle	performance art biometric data inhuman interconnections transcorporeality Fine Arts N Griniuk Marija Performance Art Using Biometric Data
description	This research analyzes performance art that uses biometric data, based on two concept perspectives – inhuman interconnections and transcorporeality – applied to examples of European performance art from Lithuania, Finland, Poland, and Denmark. The term performance art theoretically refers to all art that involves the human body, human biometric data, inhuman interconnections, transcorporeality, and liminal space. This study examines the differences between wide-scope interactive art and design and performance art involving biometric data created through the application of recent developments in consumer technology for live events. This research examined three case projects through the method of autoethnography. The data presented in the article was either collected during the author’s performance art events or at performances the author was attending as a visitor. The cases are analyzed by means of qualitative data analysis, utilizing terms representing human biometric data and interactivity adopted from research within the fields of interactive art and interactive design. The study examines the combination of biometric data and art to explain the phenomenon of humans meeting technology, revealed through data collected from a body and transmitted to an audience during a performance art event. The conclusion revisits the key terms – performance art, biometric data, inhuman interconnections and transcorporeality – as applied to artistic practices, where performance art and biometric data meet.
format	article
author	Griniuk Marija
author_facet	Griniuk Marija
author_sort	Griniuk Marija
title	Performance Art Using Biometric Data
title_short	Performance Art Using Biometric Data
title_full	Performance Art Using Biometric Data
title_fullStr	Performance Art Using Biometric Data
title_full_unstemmed	Performance Art Using Biometric Data
title_sort	performance art using biometric data
publisher	Sciendo
publishDate	2021
url	https://doaj.org/article/06f979ca2111458791da1353d05641f9
work_keys_str_mv	AT griniukmarija performanceartusingbiometricdata
_version_	1718371339769741312

Performance Art Using Biometric Data

Ejemplares similares