To observe and sympathize: “Pseudorealism” and the agenda of the literary magazine “Otechestvennye Zapiski” in the late 1840s — early 1850s

The paper analyzes the literary position of the magazine “Otechestvennye Zapiski” in the late 1840s — early 1850s, expressed in literary-critical declarations and literary texts published on its pages. The article concentrates on the poorly studied novels and stories by Y.P. Butkov, M.M. Dostoevsky...

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Autor principal:	Ekaterina Vozhik
Formato:	article
Lenguaje:	EN RU
Publicado:	Russian Academy of Sciences. A.M. Gorky Institute of World Literature 2019
Materias:	“otechestvennye zapiski” “sovremennik” history of russian literature realism “pseudorealism” literary criticism “daguerreotypism” Literature (General) PN1-6790 Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/082fef01ccfa40189181571b0deb2ba2
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spelling	oai:doaj.org-article:082fef01ccfa40189181571b0deb2ba22021-11-23T08:29:04ZTo observe and sympathize: “Pseudorealism” and the agenda of the literary magazine “Otechestvennye Zapiski” in the late 1840s — early 1850s10.22455/2541-8297-2019-11-416-4302541-82972542-2421https://doaj.org/article/082fef01ccfa40189181571b0deb2ba22019-03-01T00:00:00Zhttp://litfact.ru/images/2019-11/LF-2019-11_416-430_Vozhik.pdfhttps://doaj.org/toc/2541-8297https://doaj.org/toc/2542-2421The paper analyzes the literary position of the magazine “Otechestvennye Zapiski” in the late 1840s — early 1850s, expressed in literary-critical declarations and literary texts published on its pages. The article concentrates on the poorly studied novels and stories by Y.P. Butkov, M.M. Dostoevsky and A.N. Pleshcheyev published in “Otechestvennye Zapiski” in 1848 that were in the limelight during the debates on “pseudorealism” between the magazines “Otechestvennye Zapiski” and “Sovremennik” in the late 1840s — early 1850s. The analysis of these texts allows to specify the source of conflict between the magazines. The polemics was started by the critics from “Sovremennink” — P.V. Annenkov and A.V. Druzhinin. Their articles are compared with other contemporary critical writings, which helps to see the connection between “pseudorealism” and “daguerreotypism” — key concepts for the polemics. The typical structure of “pseudorealistic” works is analyzed to compare the critical responses to such works with the actual state of affairs. The conclusion is made about the correlation among these texts, general aesthetic views of “pseudorealists” and the agenda of “Otechestvennye Zapiski” as a thick literary magazine.Ekaterina VozhikRussian Academy of Sciences. A.M. Gorky Institute of World Literaturearticle“otechestvennye zapiski”“sovremennik”history of russian literaturerealism“pseudorealism”literary criticism“daguerreotypism”Literature (General)PN1-6790Slavic languages. Baltic languages. Albanian languagesPG1-9665ENRUЛитературный факт, Iss 1 (11) , Pp 416-430 (2019)
institution	DOAJ
collection	DOAJ
language	EN RU
topic	“otechestvennye zapiski” “sovremennik” history of russian literature realism “pseudorealism” literary criticism “daguerreotypism” Literature (General) PN1-6790 Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	“otechestvennye zapiski” “sovremennik” history of russian literature realism “pseudorealism” literary criticism “daguerreotypism” Literature (General) PN1-6790 Slavic languages. Baltic languages. Albanian languages PG1-9665 Ekaterina Vozhik To observe and sympathize: “Pseudorealism” and the agenda of the literary magazine “Otechestvennye Zapiski” in the late 1840s — early 1850s
description	The paper analyzes the literary position of the magazine “Otechestvennye Zapiski” in the late 1840s — early 1850s, expressed in literary-critical declarations and literary texts published on its pages. The article concentrates on the poorly studied novels and stories by Y.P. Butkov, M.M. Dostoevsky and A.N. Pleshcheyev published in “Otechestvennye Zapiski” in 1848 that were in the limelight during the debates on “pseudorealism” between the magazines “Otechestvennye Zapiski” and “Sovremennik” in the late 1840s — early 1850s. The analysis of these texts allows to specify the source of conflict between the magazines. The polemics was started by the critics from “Sovremennink” — P.V. Annenkov and A.V. Druzhinin. Their articles are compared with other contemporary critical writings, which helps to see the connection between “pseudorealism” and “daguerreotypism” — key concepts for the polemics. The typical structure of “pseudorealistic” works is analyzed to compare the critical responses to such works with the actual state of affairs. The conclusion is made about the correlation among these texts, general aesthetic views of “pseudorealists” and the agenda of “Otechestvennye Zapiski” as a thick literary magazine.
format	article
author	Ekaterina Vozhik
author_facet	Ekaterina Vozhik
author_sort	Ekaterina Vozhik
title	To observe and sympathize: “Pseudorealism” and the agenda of the literary magazine “Otechestvennye Zapiski” in the late 1840s — early 1850s
title_short	To observe and sympathize: “Pseudorealism” and the agenda of the literary magazine “Otechestvennye Zapiski” in the late 1840s — early 1850s
title_full	To observe and sympathize: “Pseudorealism” and the agenda of the literary magazine “Otechestvennye Zapiski” in the late 1840s — early 1850s
title_fullStr	To observe and sympathize: “Pseudorealism” and the agenda of the literary magazine “Otechestvennye Zapiski” in the late 1840s — early 1850s
title_full_unstemmed	To observe and sympathize: “Pseudorealism” and the agenda of the literary magazine “Otechestvennye Zapiski” in the late 1840s — early 1850s
title_sort	to observe and sympathize: “pseudorealism” and the agenda of the literary magazine “otechestvennye zapiski” in the late 1840s — early 1850s
publisher	Russian Academy of Sciences. A.M. Gorky Institute of World Literature
publishDate	2019
url	https://doaj.org/article/082fef01ccfa40189181571b0deb2ba2
work_keys_str_mv	AT ekaterinavozhik toobserveandsympathizepseudorealismandtheagendaoftheliterarymagazineotechestvennyezapiskiinthelate1840searly1850s
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To observe and sympathize: “Pseudorealism” and the agenda of the literary magazine “Otechestvennye Zapiski” in the late 1840s — early 1850s

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