Le portrait hanté. Stratégies figuratives dans l’œuvre de Barbey d’Aurevilly

The motif of the painted portrait, widely attested in the 19th century European literature, plays a crucial role in Jules Barbey d'Aurevilly’s works, characterized as a threshold object founded on the triad of absence, desire and phantasm. Like a game of mirrors, the portrait and the text refle...

Descripción completa

Guardado en:

Detalles Bibliográficos
Autor principal:	Michela Gardini
Formato:	article
Lenguaje:	FR
Publicado:	Seminario di filologia francese 2021
Materias:	portrait Barbey d’Aurevilly (Jules-Amédée) threshold relic spectres ekphrasis French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
Acceso en línea:	https://doaj.org/article/08c9b12994e24236a9fcdf5f0f1a26fa
Etiquetas:	Agregar Etiqueta Sin Etiquetas, Sea el primero en etiquetar este registro!

id	oai:doaj.org-article:08c9b12994e24236a9fcdf5f0f1a26fa
record_format	dspace
spelling	oai:doaj.org-article:08c9b12994e24236a9fcdf5f0f1a26fa2021-12-02T10:08:40ZLe portrait hanté. Stratégies figuratives dans l’œuvre de Barbey d’Aurevilly2240-745610.4000/rief.8468https://doaj.org/article/08c9b12994e24236a9fcdf5f0f1a26fa2021-11-01T00:00:00Zhttp://journals.openedition.org/rief/8468https://doaj.org/toc/2240-7456The motif of the painted portrait, widely attested in the 19th century European literature, plays a crucial role in Jules Barbey d'Aurevilly’s works, characterized as a threshold object founded on the triad of absence, desire and phantasm. Like a game of mirrors, the portrait and the text reflect their intrinsic lack in each other, delivering the reader a disturbing face to face with death. A true isotopy of the supernatural chains itself to the portrait which, rather than appearing as the theater of memory supposed to resuscitate the past, appears as a fascinating object able to bewitch the characters. The spectrality which characterizes it transforms it into a haunted portrait filling the text with visions and spectres. In contrast to the democracy of portrait, introduced by photography, the author claims the aristocratic and sacred value of the painted image, conceived as a magical object or even a relic.Michela GardiniSeminario di filologia francesearticleportraitBarbey d’Aurevilly (Jules-Amédée)thresholdrelicspectresekphrasisFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999FRRevue Italienne d'Etudes Françaises, Vol 11 (2021)
institution	DOAJ
collection	DOAJ
language	FR
topic	portrait Barbey d’Aurevilly (Jules-Amédée) threshold relic spectres ekphrasis French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
spellingShingle	portrait Barbey d’Aurevilly (Jules-Amédée) threshold relic spectres ekphrasis French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Michela Gardini Le portrait hanté. Stratégies figuratives dans l’œuvre de Barbey d’Aurevilly
description	The motif of the painted portrait, widely attested in the 19th century European literature, plays a crucial role in Jules Barbey d'Aurevilly’s works, characterized as a threshold object founded on the triad of absence, desire and phantasm. Like a game of mirrors, the portrait and the text reflect their intrinsic lack in each other, delivering the reader a disturbing face to face with death. A true isotopy of the supernatural chains itself to the portrait which, rather than appearing as the theater of memory supposed to resuscitate the past, appears as a fascinating object able to bewitch the characters. The spectrality which characterizes it transforms it into a haunted portrait filling the text with visions and spectres. In contrast to the democracy of portrait, introduced by photography, the author claims the aristocratic and sacred value of the painted image, conceived as a magical object or even a relic.
format	article
author	Michela Gardini
author_facet	Michela Gardini
author_sort	Michela Gardini
title	Le portrait hanté. Stratégies figuratives dans l’œuvre de Barbey d’Aurevilly
title_short	Le portrait hanté. Stratégies figuratives dans l’œuvre de Barbey d’Aurevilly
title_full	Le portrait hanté. Stratégies figuratives dans l’œuvre de Barbey d’Aurevilly
title_fullStr	Le portrait hanté. Stratégies figuratives dans l’œuvre de Barbey d’Aurevilly
title_full_unstemmed	Le portrait hanté. Stratégies figuratives dans l’œuvre de Barbey d’Aurevilly
title_sort	le portrait hanté. stratégies figuratives dans l’œuvre de barbey d’aurevilly
publisher	Seminario di filologia francese
publishDate	2021
url	https://doaj.org/article/08c9b12994e24236a9fcdf5f0f1a26fa
work_keys_str_mv	AT michelagardini leportraithantestrategiesfigurativesdanslœuvredebarbeydaurevilly
_version_	1718397571627483136

Le portrait hanté. Stratégies figuratives dans l’œuvre de Barbey d’Aurevilly

Ejemplares similares