Theatre City and Identity: Narodno pozorište-Nepszίnház-KPGT

This study considers the concept of Theatre City and its role in the formation of the desired identity of a community. More specifically, the research is at a crossroads of sociological and anthropological use of this theater form, in a function of the reconstruction of the community, examining the...

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Autor principal:	Lazar Jovanov
Formato:	article
Lenguaje:	EN FR SR
Publicado:	University of Belgrade 2016
Materias:	Theatre City identity National Theatre-Nepszίnház-KPGT Anthropology GN1-890
Acceso en línea:	https://doaj.org/article/092207df444743c4b5a67a50cf7e1444
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id	oai:doaj.org-article:092207df444743c4b5a67a50cf7e1444
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spelling	oai:doaj.org-article:092207df444743c4b5a67a50cf7e14442021-12-02T03:37:47ZTheatre City and Identity: Narodno pozorište-Nepszίnház-KPGT10.21301/EAP.V11I1.30353-15892334-8801https://doaj.org/article/092207df444743c4b5a67a50cf7e14442016-04-01T00:00:00Zhttps://eap-iea.org/novi-ojs/index.php/eap/article/view/629https://doaj.org/toc/0353-1589https://doaj.org/toc/2334-8801 This study considers the concept of Theatre City and its role in the formation of the desired identity of a community. More specifically, the research is at a crossroads of sociological and anthropological use of this theater form, in a function of the reconstruction of the community, examining the relationship between theater and the city, as a functional European theater concept, which has the potential to generate multiple socio-cultural values, participating in the formation of the so-called free spaces, free theater, which rejects the idea of elitism because it is intended for the wider population. In this regard, the subject of this research is the concept of Subotica Theatre City established by National Theater-Nepszίnház-KPGT in the context of creating a (multicultural) identity of the community, while the focus is on socio-anthropological, philosophical and aesthetic analyse of the play Madach, the comments, which was the inaugural project of the new aesthetic and cultural policy of the city of Subotica in the former Yugoslavia in 1985. Lazar JovanovUniversity of BelgradearticleTheatre CityidentityNational Theatre-Nepszίnház-KPGTAnthropologyGN1-890ENFRSREtnoantropološki Problemi, Vol 11, Iss 1 (2016)
institution	DOAJ
collection	DOAJ
language	EN FR SR
topic	Theatre City identity National Theatre-Nepszίnház-KPGT Anthropology GN1-890
spellingShingle	Theatre City identity National Theatre-Nepszίnház-KPGT Anthropology GN1-890 Lazar Jovanov Theatre City and Identity: Narodno pozorište-Nepszίnház-KPGT
description	This study considers the concept of Theatre City and its role in the formation of the desired identity of a community. More specifically, the research is at a crossroads of sociological and anthropological use of this theater form, in a function of the reconstruction of the community, examining the relationship between theater and the city, as a functional European theater concept, which has the potential to generate multiple socio-cultural values, participating in the formation of the so-called free spaces, free theater, which rejects the idea of elitism because it is intended for the wider population. In this regard, the subject of this research is the concept of Subotica Theatre City established by National Theater-Nepszίnház-KPGT in the context of creating a (multicultural) identity of the community, while the focus is on socio-anthropological, philosophical and aesthetic analyse of the play Madach, the comments, which was the inaugural project of the new aesthetic and cultural policy of the city of Subotica in the former Yugoslavia in 1985.
format	article
author	Lazar Jovanov
author_facet	Lazar Jovanov
author_sort	Lazar Jovanov
title	Theatre City and Identity: Narodno pozorište-Nepszίnház-KPGT
title_short	Theatre City and Identity: Narodno pozorište-Nepszίnház-KPGT
title_full	Theatre City and Identity: Narodno pozorište-Nepszίnház-KPGT
title_fullStr	Theatre City and Identity: Narodno pozorište-Nepszίnház-KPGT
title_full_unstemmed	Theatre City and Identity: Narodno pozorište-Nepszίnház-KPGT
title_sort	theatre city and identity: narodno pozorište-nepszίnház-kpgt
publisher	University of Belgrade
publishDate	2016
url	https://doaj.org/article/092207df444743c4b5a67a50cf7e1444
work_keys_str_mv	AT lazarjovanov theatrecityandidentitynarodnopozoristenepszinhazkpgt
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Theatre City and Identity: Narodno pozorište-Nepszίnház-KPGT

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