« Paysages avec figures absentes » : La peinture d’Elsa Maldiney

Elsa Maldiney's painting offers several stages. One of them, among the first ones, up until 1960 without a doubt, is probably the one of painting landscapes – but landscapes which are not landscape-shows but landscape-milieus engendered by the march of an invisible walker. The last stage, from...

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Autor principal:	Éliane Escoubas
Formato:	article
Lenguaje:	FR
Publicado:	Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille 2011
Materias:	Elsa Maldiney landscape-show landscape-milieu abstraction rhythm Social Sciences H
Acceso en línea:	https://doaj.org/article/099232a12bd44ceb8128ae8e2c2e66c4
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spelling	oai:doaj.org-article:099232a12bd44ceb8128ae8e2c2e66c42021-12-02T09:55:13Z« Paysages avec figures absentes » : La peinture d’Elsa Maldiney1969-612410.4000/paysage.21684https://doaj.org/article/099232a12bd44ceb8128ae8e2c2e66c42011-01-01T00:00:00Zhttp://journals.openedition.org/paysage/21684https://doaj.org/toc/1969-6124Elsa Maldiney's painting offers several stages. One of them, among the first ones, up until 1960 without a doubt, is probably the one of painting landscapes – but landscapes which are not landscape-shows but landscape-milieus engendered by the march of an invisible walker. The last stage, from the last decade of the 20th century and since 2000, is the one of a purely abstract painting, of a coloured energy, of outbursts, ruptures, and meetings – in a word: the one of a field of tensions, which is rhythm.Éliane EscoubasAgrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP LillearticleElsa Maldineylandscape-showlandscape-milieuabstractionrhythmSocial SciencesHFRProjets de Paysage, Vol 5 (2011)
institution	DOAJ
collection	DOAJ
language	FR
topic	Elsa Maldiney landscape-show landscape-milieu abstraction rhythm Social Sciences H
spellingShingle	Elsa Maldiney landscape-show landscape-milieu abstraction rhythm Social Sciences H Éliane Escoubas « Paysages avec figures absentes » : La peinture d’Elsa Maldiney
description	Elsa Maldiney's painting offers several stages. One of them, among the first ones, up until 1960 without a doubt, is probably the one of painting landscapes – but landscapes which are not landscape-shows but landscape-milieus engendered by the march of an invisible walker. The last stage, from the last decade of the 20th century and since 2000, is the one of a purely abstract painting, of a coloured energy, of outbursts, ruptures, and meetings – in a word: the one of a field of tensions, which is rhythm.
format	article
author	Éliane Escoubas
author_facet	Éliane Escoubas
author_sort	Éliane Escoubas
title	« Paysages avec figures absentes » : La peinture d’Elsa Maldiney
title_short	« Paysages avec figures absentes » : La peinture d’Elsa Maldiney
title_full	« Paysages avec figures absentes » : La peinture d’Elsa Maldiney
title_fullStr	« Paysages avec figures absentes » : La peinture d’Elsa Maldiney
title_full_unstemmed	« Paysages avec figures absentes » : La peinture d’Elsa Maldiney
title_sort	« paysages avec figures absentes » : la peinture d’elsa maldiney
publisher	Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille
publishDate	2011
url	https://doaj.org/article/099232a12bd44ceb8128ae8e2c2e66c4
work_keys_str_mv	AT elianeescoubas paysagesavecfiguresabsenteslapeinturedelsamaldiney
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« Paysages avec figures absentes » : La peinture d’Elsa Maldiney

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