Polycephaly – Some Remarks on the Multi-Headed Nature of Late Egyptian Polymorphic Deities

One of the most intriguing motifs of Egyptian religious iconography is the representation of ‘pantheos’, a composite deity with additional animal heads and other animal attributes, as well as magical and religious symbols. This group is commonly described in Egyptology as pantheistic, although the...

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Autor principal: Grzegorz First
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Publicado: Ksiegarnia Akademicka Publishing 2014
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spelling oai:doaj.org-article:0ad7e4219ff54455ac8210c04c57e0ef2021-11-27T13:19:32ZPolycephaly – Some Remarks on the Multi-Headed Nature of Late Egyptian Polymorphic Deities10.12797/SAAC.18.2014.18.131899-15482449-867Xhttps://doaj.org/article/0ad7e4219ff54455ac8210c04c57e0ef2014-12-01T00:00:00Zhttps://journals.akademicka.pl/saac/article/view/3089https://doaj.org/toc/1899-1548https://doaj.org/toc/2449-867X One of the most intriguing motifs of Egyptian religious iconography is the representation of ‘pantheos’, a composite deity with additional animal heads and other animal attributes, as well as magical and religious symbols. This group is commonly described in Egyptology as pantheistic, although the new definition of ‘polymorphic’ has recently been proposed. This term does not lean towards any particular area of interpretation, but simply refers to a single visual aspect of the motif. The group of Late Egyptian, Ptolemaic and Roman objects with this type of representation consists of statuettes, magical stelae, amulets, illustrations on papyri and gems. The main feature of polymorphic deities is their additional animal elements, which are attached to the basic corpus. These elements are mostly heads, wings and other parts of the animal’s body, although polymorphic depictions also sometimes contain ithyphallic or androgynous elements. The most important element of polymorphic iconography and its interpretation is the multi-headed nature of the images. This suggests both that complicated thought processes created the composition of the depictions and that they had a close relationship to magic and religion. A polymorphic representation was not a simple visualisation of just one religious idea or god, but was testament to the diverse thinking behind popular and official beliefs in ancient Egypt in the second half of the 1st millennium BC and in later times. The debate on polymorphism centres either on the possible search for a personal, universal god with a solar, hidden aspect or focuses on the magical, practical dimension, which provided protection for the people from evil powers and dangers. Grzegorz FirstKsiegarnia Akademicka PublishingarticlereligionmagicLate Egyptian religious iconographyAncient historyD51-90History of the artsNX440-632ENFRStudies in Ancient Art and Civilization, Vol 18 (2014)
institution DOAJ
collection DOAJ
language EN
FR
topic religion
magic
Late Egyptian religious iconography
Ancient history
D51-90
History of the arts
NX440-632
spellingShingle religion
magic
Late Egyptian religious iconography
Ancient history
D51-90
History of the arts
NX440-632
Grzegorz First
Polycephaly – Some Remarks on the Multi-Headed Nature of Late Egyptian Polymorphic Deities
description One of the most intriguing motifs of Egyptian religious iconography is the representation of ‘pantheos’, a composite deity with additional animal heads and other animal attributes, as well as magical and religious symbols. This group is commonly described in Egyptology as pantheistic, although the new definition of ‘polymorphic’ has recently been proposed. This term does not lean towards any particular area of interpretation, but simply refers to a single visual aspect of the motif. The group of Late Egyptian, Ptolemaic and Roman objects with this type of representation consists of statuettes, magical stelae, amulets, illustrations on papyri and gems. The main feature of polymorphic deities is their additional animal elements, which are attached to the basic corpus. These elements are mostly heads, wings and other parts of the animal’s body, although polymorphic depictions also sometimes contain ithyphallic or androgynous elements. The most important element of polymorphic iconography and its interpretation is the multi-headed nature of the images. This suggests both that complicated thought processes created the composition of the depictions and that they had a close relationship to magic and religion. A polymorphic representation was not a simple visualisation of just one religious idea or god, but was testament to the diverse thinking behind popular and official beliefs in ancient Egypt in the second half of the 1st millennium BC and in later times. The debate on polymorphism centres either on the possible search for a personal, universal god with a solar, hidden aspect or focuses on the magical, practical dimension, which provided protection for the people from evil powers and dangers.
format article
author Grzegorz First
author_facet Grzegorz First
author_sort Grzegorz First
title Polycephaly – Some Remarks on the Multi-Headed Nature of Late Egyptian Polymorphic Deities
title_short Polycephaly – Some Remarks on the Multi-Headed Nature of Late Egyptian Polymorphic Deities
title_full Polycephaly – Some Remarks on the Multi-Headed Nature of Late Egyptian Polymorphic Deities
title_fullStr Polycephaly – Some Remarks on the Multi-Headed Nature of Late Egyptian Polymorphic Deities
title_full_unstemmed Polycephaly – Some Remarks on the Multi-Headed Nature of Late Egyptian Polymorphic Deities
title_sort polycephaly – some remarks on the multi-headed nature of late egyptian polymorphic deities
publisher Ksiegarnia Akademicka Publishing
publishDate 2014
url https://doaj.org/article/0ad7e4219ff54455ac8210c04c57e0ef
work_keys_str_mv AT grzegorzfirst polycephalysomeremarksonthemultiheadednatureoflateegyptianpolymorphicdeities
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