Maslow’s theory of needs as a spice in conceptual textile surface designing

African prints are given strategical names by market women in Ghana to sell the products. This is because the people cherish symbolism and admire prints backed by philosophies. Abraham Maslow’s hierarchy of needs has been a source of inspiration for researchers over the years. Although, the famous...

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Autores principales: Michael O. Nyarko, George K. Fobiri, Maud Schall, Thomas O. Asare, Abdul-Razak Seini Yussif
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Lenguaje:EN
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Publicado: Nilay ÖZSAVAŞ ULUÇAY 2021
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Acceso en línea:https://doaj.org/article/0b24ce79491745359ad3093b3dee71b2
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spelling oai:doaj.org-article:0b24ce79491745359ad3093b3dee71b22021-12-01T09:08:18ZMaslow’s theory of needs as a spice in conceptual textile surface designing2687-5373https://doaj.org/article/0b24ce79491745359ad3093b3dee71b22021-12-01T00:00:00Zhttps://www.idajournal.com/index.php/ida/article/view/113https://doaj.org/toc/2687-5373 African prints are given strategical names by market women in Ghana to sell the products. This is because the people cherish symbolism and admire prints backed by philosophies. Abraham Maslow’s hierarchy of needs has been a source of inspiration for researchers over the years. Although, the famous model has been explored in many disciplines by scholars to obtain substantial results, the area of conceptual textiles surface designing is seemingly not addressed. The study is aimed at juxtaposing textile surface designs with philosophies to stir up the creative abilities of textile surface designers as well as the Ghanaian textile printing industries to meet the demands of the market. It explores Maslow’s hierarchy of needs with the Art studio-based research method in conceptual textile surface designing.  Five conceptual textiles surface designs were created at the studio after a market survey to reflect the various levels on Maslow’s hierarchy of needs. The results show that philosophies are key factors in the patronage of textile prints in the Ghanaian setting. Incorporation of philosophies in textile surface designs would add more value to the locally made prints. It is therefore recommended that the local textile printing industries would embrace conceptual textile surface designing in their creations to catch the attention of the natives. Michael O. NyarkoGeorge K. FobiriMaud SchallThomas O. AsareAbdul-Razak Seini Yussif Nilay ÖZSAVAŞ ULUÇAYarticleMaslow’s Theory of NeedsTextile Surface DesignAfrican PrintsConceptual DesignsDrawing. Design. IllustrationNC1-1940ArchitectureNA1-9428Architectural drawing and designNA2695-2793ENTRIDA: International Design and Art Journal, Vol 3, Iss 2 (2021)
institution DOAJ
collection DOAJ
language EN
TR
topic Maslow’s Theory of Needs
Textile Surface Design
African Prints
Conceptual Designs
Drawing. Design. Illustration
NC1-1940
Architecture
NA1-9428
Architectural drawing and design
NA2695-2793
spellingShingle Maslow’s Theory of Needs
Textile Surface Design
African Prints
Conceptual Designs
Drawing. Design. Illustration
NC1-1940
Architecture
NA1-9428
Architectural drawing and design
NA2695-2793
Michael O. Nyarko
George K. Fobiri
Maud Schall
Thomas O. Asare
Abdul-Razak Seini Yussif
Maslow’s theory of needs as a spice in conceptual textile surface designing
description African prints are given strategical names by market women in Ghana to sell the products. This is because the people cherish symbolism and admire prints backed by philosophies. Abraham Maslow’s hierarchy of needs has been a source of inspiration for researchers over the years. Although, the famous model has been explored in many disciplines by scholars to obtain substantial results, the area of conceptual textiles surface designing is seemingly not addressed. The study is aimed at juxtaposing textile surface designs with philosophies to stir up the creative abilities of textile surface designers as well as the Ghanaian textile printing industries to meet the demands of the market. It explores Maslow’s hierarchy of needs with the Art studio-based research method in conceptual textile surface designing.  Five conceptual textiles surface designs were created at the studio after a market survey to reflect the various levels on Maslow’s hierarchy of needs. The results show that philosophies are key factors in the patronage of textile prints in the Ghanaian setting. Incorporation of philosophies in textile surface designs would add more value to the locally made prints. It is therefore recommended that the local textile printing industries would embrace conceptual textile surface designing in their creations to catch the attention of the natives.
format article
author Michael O. Nyarko
George K. Fobiri
Maud Schall
Thomas O. Asare
Abdul-Razak Seini Yussif
author_facet Michael O. Nyarko
George K. Fobiri
Maud Schall
Thomas O. Asare
Abdul-Razak Seini Yussif
author_sort Michael O. Nyarko
title Maslow’s theory of needs as a spice in conceptual textile surface designing
title_short Maslow’s theory of needs as a spice in conceptual textile surface designing
title_full Maslow’s theory of needs as a spice in conceptual textile surface designing
title_fullStr Maslow’s theory of needs as a spice in conceptual textile surface designing
title_full_unstemmed Maslow’s theory of needs as a spice in conceptual textile surface designing
title_sort maslow’s theory of needs as a spice in conceptual textile surface designing
publisher Nilay ÖZSAVAŞ ULUÇAY
publishDate 2021
url https://doaj.org/article/0b24ce79491745359ad3093b3dee71b2
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