IRANIAN TOMBSTONES WITH FIGURAL REPRESENTATIONS DURING THE QAJAR ERA (1209-1344 A.H./1794-1925 C.E.) IN LIGHT OF A SELECTED COLLECTION FROM AL-RAWDA AL-MUQADDASA MUSEUM AT QUM: AN ARCHAEOLOGICAL AND ARTISTIC STUDY

<strong>Although Iran knew various forms of tombstones throughout the different Islamic periods, whether of plain surface or not, the Qajar period (1209-1344/1794-1925) witnessed a big evolution with a quantum leap in both the general designs and the decorations. At that time, a new type of to...

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Autor principal:	Hossam TANTAWY
Formato:	article
Lenguaje:	EN
Publicado:	Fayoum University 2016
Materias:	Auxiliary sciences of history C Archaeology CC1-960
Acceso en línea:	https://doaj.org/article/0b6a41888f65467fa8eceb1db501d468
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spelling	oai:doaj.org-article:0b6a41888f65467fa8eceb1db501d4682021-12-02T08:52:58ZIRANIAN TOMBSTONES WITH FIGURAL REPRESENTATIONS DURING THE QAJAR ERA (1209-1344 A.H./1794-1925 C.E.) IN LIGHT OF A SELECTED COLLECTION FROM AL-RAWDA AL-MUQADDASA MUSEUM AT QUM: AN ARCHAEOLOGICAL AND ARTISTIC STUDY2356-87042536-995410.36816/shedet.003.08https://doaj.org/article/0b6a41888f65467fa8eceb1db501d4682016-12-01T00:00:00Zhttps://shedet.journals.ekb.eg/article_87821_fc18fa252342fb337ce85fa3ef272c2d.pdfhttps://doaj.org/toc/2356-8704https://doaj.org/toc/2536-9954<strong>Although Iran knew various forms of tombstones throughout the different Islamic periods, whether of plain surface or not, the Qajar period (1209-1344/1794-1925) witnessed a big evolution with a quantum leap in both the general designs and the decorations. At that time, a new type of tombstones, which contain private images of their owners, were emerged.The aim of this study is to focus on this topic which so far has not received a sufficient attention, without any separate study in both the Arabic and the foreign references. Such studies would delve in the details of those tombstones ornamented with figures, tracing their evolution and unveiling their meanings. This study also treated these points through studying and publishing four tombstones preserved in the museum of the Holy Fatimid Rawda (Qum Astanh Museum).In fact, this museum had been chosen in particular because its collection has a special significance for containing the tombstones of certain rulers and historic patrons from the Qajar era. For achieving the study aims, this work comprises a descriptive study of these tombstones, followed by their analytical study.<br /> </strong>Hossam TANTAWYFayoum UniversityarticleAuxiliary sciences of historyCArchaeologyCC1-960ENShedet, Vol 3, Iss 3, Pp 78-121 (2016)
institution	DOAJ
collection	DOAJ
language	EN
topic	Auxiliary sciences of history C Archaeology CC1-960
spellingShingle	Auxiliary sciences of history C Archaeology CC1-960 Hossam TANTAWY IRANIAN TOMBSTONES WITH FIGURAL REPRESENTATIONS DURING THE QAJAR ERA (1209-1344 A.H./1794-1925 C.E.) IN LIGHT OF A SELECTED COLLECTION FROM AL-RAWDA AL-MUQADDASA MUSEUM AT QUM: AN ARCHAEOLOGICAL AND ARTISTIC STUDY
description	<strong>Although Iran knew various forms of tombstones throughout the different Islamic periods, whether of plain surface or not, the Qajar period (1209-1344/1794-1925) witnessed a big evolution with a quantum leap in both the general designs and the decorations. At that time, a new type of tombstones, which contain private images of their owners, were emerged.The aim of this study is to focus on this topic which so far has not received a sufficient attention, without any separate study in both the Arabic and the foreign references. Such studies would delve in the details of those tombstones ornamented with figures, tracing their evolution and unveiling their meanings. This study also treated these points through studying and publishing four tombstones preserved in the museum of the Holy Fatimid Rawda (Qum Astanh Museum).In fact, this museum had been chosen in particular because its collection has a special significance for containing the tombstones of certain rulers and historic patrons from the Qajar era. For achieving the study aims, this work comprises a descriptive study of these tombstones, followed by their analytical study.<br /> </strong>
format	article
author	Hossam TANTAWY
author_facet	Hossam TANTAWY
author_sort	Hossam TANTAWY
title	IRANIAN TOMBSTONES WITH FIGURAL REPRESENTATIONS DURING THE QAJAR ERA (1209-1344 A.H./1794-1925 C.E.) IN LIGHT OF A SELECTED COLLECTION FROM AL-RAWDA AL-MUQADDASA MUSEUM AT QUM: AN ARCHAEOLOGICAL AND ARTISTIC STUDY
title_short	IRANIAN TOMBSTONES WITH FIGURAL REPRESENTATIONS DURING THE QAJAR ERA (1209-1344 A.H./1794-1925 C.E.) IN LIGHT OF A SELECTED COLLECTION FROM AL-RAWDA AL-MUQADDASA MUSEUM AT QUM: AN ARCHAEOLOGICAL AND ARTISTIC STUDY
title_full	IRANIAN TOMBSTONES WITH FIGURAL REPRESENTATIONS DURING THE QAJAR ERA (1209-1344 A.H./1794-1925 C.E.) IN LIGHT OF A SELECTED COLLECTION FROM AL-RAWDA AL-MUQADDASA MUSEUM AT QUM: AN ARCHAEOLOGICAL AND ARTISTIC STUDY
title_fullStr	IRANIAN TOMBSTONES WITH FIGURAL REPRESENTATIONS DURING THE QAJAR ERA (1209-1344 A.H./1794-1925 C.E.) IN LIGHT OF A SELECTED COLLECTION FROM AL-RAWDA AL-MUQADDASA MUSEUM AT QUM: AN ARCHAEOLOGICAL AND ARTISTIC STUDY
title_full_unstemmed	IRANIAN TOMBSTONES WITH FIGURAL REPRESENTATIONS DURING THE QAJAR ERA (1209-1344 A.H./1794-1925 C.E.) IN LIGHT OF A SELECTED COLLECTION FROM AL-RAWDA AL-MUQADDASA MUSEUM AT QUM: AN ARCHAEOLOGICAL AND ARTISTIC STUDY
title_sort	iranian tombstones with figural representations during the qajar era (1209-1344 a.h./1794-1925 c.e.) in light of a selected collection from al-rawda al-muqaddasa museum at qum: an archaeological and artistic study
publisher	Fayoum University
publishDate	2016
url	https://doaj.org/article/0b6a41888f65467fa8eceb1db501d468
work_keys_str_mv	AT hossamtantawy iraniantombstoneswithfiguralrepresentationsduringtheqajarera12091344ah17941925ceinlightofaselectedcollectionfromalrawdaalmuqaddasamuseumatqumanarchaeologicalandartisticstudy
_version_	1718398283481612288

IRANIAN TOMBSTONES WITH FIGURAL REPRESENTATIONS DURING THE QAJAR ERA (1209-1344 A.H./1794-1925 C.E.) IN LIGHT OF A SELECTED COLLECTION FROM AL-RAWDA AL-MUQADDASA MUSEUM AT QUM: AN ARCHAEOLOGICAL AND ARTISTIC STUDY

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