Uno, nessuno e centomila dollari. Akira Kurosawa e Sergio Leone

In no other case in the history of cinema has the relationship between the original and the remake been so complex and controversial as in “Yojimbo” (1961) by Akira Kurosawa and “Per un pugno di dollari” (1964) by Sergio Leone. And in no other case has the remake issue become a court case, by taking...

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Autor principal:	Anton Giulio Mancino
Formato:	article
Lenguaje:	EN ES FR IT
Publicado:	Prof. Rinaldo Rinaldi 2021
Materias:	film remake plagiarism Language and Literature P
Acceso en línea:	https://doaj.org/article/0bd9647cdc114f4d8a6655df0a094a88
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id	oai:doaj.org-article:0bd9647cdc114f4d8a6655df0a094a88
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spelling	oai:doaj.org-article:0bd9647cdc114f4d8a6655df0a094a882021-11-23T08:59:23ZUno, nessuno e centomila dollari. Akira Kurosawa e Sergio Leone2039-0114https://doaj.org/article/0bd9647cdc114f4d8a6655df0a094a882021-12-01T00:00:00Zhttp://www.parolerubate.unipr.it/fascicolo24_pdf/F24_7_mancino_dollari.pdfhttps://doaj.org/toc/2039-0114In no other case in the history of cinema has the relationship between the original and the remake been so complex and controversial as in “Yojimbo” (1961) by Akira Kurosawa and “Per un pugno di dollari” (1964) by Sergio Leone. And in no other case has the remake issue become a court case, by taking into account the perspective of plagiarism, rather than relying on the expertise of film historians and critics.Anton Giulio MancinoProf. Rinaldo RinaldiarticlefilmremakeplagiarismLanguage and LiteraturePENESFRITParole Rubate : Rivista Internazionale di Studi sulla Citazione, Vol 12, Iss 24, Pp 89-99 (2021)
institution	DOAJ
collection	DOAJ
language	EN ES FR IT
topic	film remake plagiarism Language and Literature P
spellingShingle	film remake plagiarism Language and Literature P Anton Giulio Mancino Uno, nessuno e centomila dollari. Akira Kurosawa e Sergio Leone
description	In no other case in the history of cinema has the relationship between the original and the remake been so complex and controversial as in “Yojimbo” (1961) by Akira Kurosawa and “Per un pugno di dollari” (1964) by Sergio Leone. And in no other case has the remake issue become a court case, by taking into account the perspective of plagiarism, rather than relying on the expertise of film historians and critics.
format	article
author	Anton Giulio Mancino
author_facet	Anton Giulio Mancino
author_sort	Anton Giulio Mancino
title	Uno, nessuno e centomila dollari. Akira Kurosawa e Sergio Leone
title_short	Uno, nessuno e centomila dollari. Akira Kurosawa e Sergio Leone
title_full	Uno, nessuno e centomila dollari. Akira Kurosawa e Sergio Leone
title_fullStr	Uno, nessuno e centomila dollari. Akira Kurosawa e Sergio Leone
title_full_unstemmed	Uno, nessuno e centomila dollari. Akira Kurosawa e Sergio Leone
title_sort	uno, nessuno e centomila dollari. akira kurosawa e sergio leone
publisher	Prof. Rinaldo Rinaldi
publishDate	2021
url	https://doaj.org/article/0bd9647cdc114f4d8a6655df0a094a88
work_keys_str_mv	AT antongiuliomancino unonessunoecentomiladollariakirakurosawaesergioleone
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Uno, nessuno e centomila dollari. Akira Kurosawa e Sergio Leone

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