Humor i to nyere norske diktbildebøker

Humour in Two Contemporary Norwegian Poetry Picturebooks: Pling i bollen and 123 for barske barn Abstract: This article examines visual and verbal humour in two contemporary Norwegian poetry picturebooks for children. The main aim is to study how different types of humour and various poetic devi...

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Autor principal:	Berit Westergaard Bjørlo
Formato:	article
Lenguaje:	DA EN NO SV
Publicado:	Svenska Barnboksinstitutet 2021
Materias:	children’s poetry poetry picturebooks humour, nonsense carnivalesque parody Ingvild Rishøi Literature (General) PN1-6790
Acceso en línea:	https://doaj.org/article/0c4bc26607b74ca4a5e8e6cc2940a5be
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id	oai:doaj.org-article:0c4bc26607b74ca4a5e8e6cc2940a5be
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spelling	oai:doaj.org-article:0c4bc26607b74ca4a5e8e6cc2940a5be2021-11-04T22:33:18ZHumor i to nyere norske diktbildebøker10.14811/clr.v44.6070347-772Xhttps://doaj.org/article/0c4bc26607b74ca4a5e8e6cc2940a5be2021-11-01T00:00:00Zhttps://www.barnboken.net/index.php/clr/article/view/607https://doaj.org/toc/0347-772X Humour in Two Contemporary Norwegian Poetry Picturebooks: Pling i bollen and 123 for barske barn Abstract: This article examines visual and verbal humour in two contemporary Norwegian poetry picturebooks for children. The main aim is to study how different types of humour and various poetic devices are expressed through the interplay of words and images. Moreover, the article discusses in which ways the two books represent a continuation and a renewal of classic humour traditions. The theoretical framework mainly consists of intermedial theory, picturebook theory, children’s poetry studies, and studies on literary humour traditions such as nonsense, parody, and the Bakhtinian carnivalesque. The selected books are Pling i bollen: Fine og ufine barnerim (Off One’s Chump: Delicate and Indelicate Children’s Verses) from 2011 by Ingvild Rishøi and Bendik Kaltenborn and 123 for barske barn: Tull med tall (123 for Rough Children: Nonsense with Numbers) from 2020 by Anne Østgaard and Egil Nyhus. The analyses point to examples of both playful and sophisticated interactions between poems and illustrations, suggesting that the picturebook medium includes more diverse combinations of visual and verbal humour compared to traditional illustrated poetry books. In addition, the various types of humour appear to be wilder and coarser than in classic children’s poetry. 123 for barske barn combines pedagogical and aesthetic qualities by featuring nonsense and carnivalesque humour with numbers, while Pling i bollen offers an even wider range of humour by combining satire, parody, and sophisticated nonsense with more playful and carnivalesque qualities. These compounds of humour tend to transgress the classic genre of children’s verse and to include a cross-generational audience. Berit Westergaard BjørloSvenska Barnboksinstitutetarticlechildren’s poetrypoetry picturebookshumour, nonsensecarnivalesqueparodyIngvild RishøiLiterature (General)PN1-6790DAENNOSVBarnboken: Tidskrift för Barnlitteraturforskning, Vol 44 (2021)
institution	DOAJ
collection	DOAJ
language	DA EN NO SV
topic	children’s poetry poetry picturebooks humour, nonsense carnivalesque parody Ingvild Rishøi Literature (General) PN1-6790
spellingShingle	children’s poetry poetry picturebooks humour, nonsense carnivalesque parody Ingvild Rishøi Literature (General) PN1-6790 Berit Westergaard Bjørlo Humor i to nyere norske diktbildebøker
description	Humour in Two Contemporary Norwegian Poetry Picturebooks: Pling i bollen and 123 for barske barn Abstract: This article examines visual and verbal humour in two contemporary Norwegian poetry picturebooks for children. The main aim is to study how different types of humour and various poetic devices are expressed through the interplay of words and images. Moreover, the article discusses in which ways the two books represent a continuation and a renewal of classic humour traditions. The theoretical framework mainly consists of intermedial theory, picturebook theory, children’s poetry studies, and studies on literary humour traditions such as nonsense, parody, and the Bakhtinian carnivalesque. The selected books are Pling i bollen: Fine og ufine barnerim (Off One’s Chump: Delicate and Indelicate Children’s Verses) from 2011 by Ingvild Rishøi and Bendik Kaltenborn and 123 for barske barn: Tull med tall (123 for Rough Children: Nonsense with Numbers) from 2020 by Anne Østgaard and Egil Nyhus. The analyses point to examples of both playful and sophisticated interactions between poems and illustrations, suggesting that the picturebook medium includes more diverse combinations of visual and verbal humour compared to traditional illustrated poetry books. In addition, the various types of humour appear to be wilder and coarser than in classic children’s poetry. 123 for barske barn combines pedagogical and aesthetic qualities by featuring nonsense and carnivalesque humour with numbers, while Pling i bollen offers an even wider range of humour by combining satire, parody, and sophisticated nonsense with more playful and carnivalesque qualities. These compounds of humour tend to transgress the classic genre of children’s verse and to include a cross-generational audience.
format	article
author	Berit Westergaard Bjørlo
author_facet	Berit Westergaard Bjørlo
author_sort	Berit Westergaard Bjørlo
title	Humor i to nyere norske diktbildebøker
title_short	Humor i to nyere norske diktbildebøker
title_full	Humor i to nyere norske diktbildebøker
title_fullStr	Humor i to nyere norske diktbildebøker
title_full_unstemmed	Humor i to nyere norske diktbildebøker
title_sort	humor i to nyere norske diktbildebøker
publisher	Svenska Barnboksinstitutet
publishDate	2021
url	https://doaj.org/article/0c4bc26607b74ca4a5e8e6cc2940a5be
work_keys_str_mv	AT beritwestergaardbjørlo humoritonyerenorskediktbildebøker
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Humor i to nyere norske diktbildebøker

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