“O Brother Where Art Thou?” Inferno 26 According to the Brothers Coen

This essay challenges the traditional critical interpretation of the Coen Brothers’ 2001 film “O Brother Where Art Thou” by proposing that the film is not simply a retelling of the Odyssey but rather that it looks not to the Homeric narrative but rather to Dante’s reinvention of the Greek hero Odys...

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Autor principal: Mary Watt
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Publicado: Universitat Autònoma de Barcelona 2016
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Acceso en línea:https://doaj.org/article/0d0170d468aa4181874a2300e41ce0ef
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spelling oai:doaj.org-article:0d0170d468aa4181874a2300e41ce0ef2021-12-05T12:23:28Z“O Brother Where Art Thou?” Inferno 26 According to the Brothers Coen10.5565/rev/dea.602385-72692385-5355https://doaj.org/article/0d0170d468aa4181874a2300e41ce0ef2016-12-01T00:00:00Zhttps://revistes.uab.cat/dea/article/view/60https://doaj.org/toc/2385-7269https://doaj.org/toc/2385-5355 This essay challenges the traditional critical interpretation of the Coen Brothers’ 2001 film “O Brother Where Art Thou” by proposing that the film is not simply a retelling of the Odyssey but rather that it looks not to the Homeric narrative but rather to Dante’s reinvention of the Greek hero Odysseus / Ulysses for its inspiration.  In support of this argument the essay highlights a number of narrative cues that point us to Inferno 26, where Ulysses is punished as a fraudulent counselor.  The fact that the film’s protagonist, Ulysses Everett McGill was convicted of impersonating a lawyer and lied to his “brothers” Delmar and Pete to induce them to escape with him, are but two such indicators examined in this study.  But the essay also looks at the role that the soundtrack plays in alerting the reader to a highly Dantesque hermeneutic strategy, as well as the film’s Dantesque awareness of the role of ingegno in creating fiction, or lies that look like truth. Mary WattUniversitat Autònoma de BarcelonaarticleDanteComedyBrothers CoenArts in generalNX1-820Language and LiteraturePCAENESITDante e l'Arte, Vol 3 (2016)
institution DOAJ
collection DOAJ
language CA
EN
ES
IT
topic Dante
Comedy
Brothers Coen
Arts in general
NX1-820
Language and Literature
P
spellingShingle Dante
Comedy
Brothers Coen
Arts in general
NX1-820
Language and Literature
P
Mary Watt
“O Brother Where Art Thou?” Inferno 26 According to the Brothers Coen
description This essay challenges the traditional critical interpretation of the Coen Brothers’ 2001 film “O Brother Where Art Thou” by proposing that the film is not simply a retelling of the Odyssey but rather that it looks not to the Homeric narrative but rather to Dante’s reinvention of the Greek hero Odysseus / Ulysses for its inspiration.  In support of this argument the essay highlights a number of narrative cues that point us to Inferno 26, where Ulysses is punished as a fraudulent counselor.  The fact that the film’s protagonist, Ulysses Everett McGill was convicted of impersonating a lawyer and lied to his “brothers” Delmar and Pete to induce them to escape with him, are but two such indicators examined in this study.  But the essay also looks at the role that the soundtrack plays in alerting the reader to a highly Dantesque hermeneutic strategy, as well as the film’s Dantesque awareness of the role of ingegno in creating fiction, or lies that look like truth.
format article
author Mary Watt
author_facet Mary Watt
author_sort Mary Watt
title “O Brother Where Art Thou?” Inferno 26 According to the Brothers Coen
title_short “O Brother Where Art Thou?” Inferno 26 According to the Brothers Coen
title_full “O Brother Where Art Thou?” Inferno 26 According to the Brothers Coen
title_fullStr “O Brother Where Art Thou?” Inferno 26 According to the Brothers Coen
title_full_unstemmed “O Brother Where Art Thou?” Inferno 26 According to the Brothers Coen
title_sort “o brother where art thou?” inferno 26 according to the brothers coen
publisher Universitat Autònoma de Barcelona
publishDate 2016
url https://doaj.org/article/0d0170d468aa4181874a2300e41ce0ef
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