The Change of Concept: the Formation and Reflection of Applied Ethnomusicology

If the study of Jesse Fewkes and Frances Densmore in the late 19th century is taken into account, western Applied Ethnomusicology is entering its second century. After more than one hundred years of development, Applied Ethnomusicology has basically become a relatively mature research path in the We...

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Autores principales:	Bao Hanshi, Sularso Sularso, Marie-Christinne B Clarisse
Formato:	article
Lenguaje:	ID
Publicado:	Pusat Penerbitan ISI Surakarta 2021
Materias:	ethnomusicology applied ethnomusicology reflect on the discipline Fine Arts N
Acceso en línea:	https://doaj.org/article/0e3ddba820b14b7aaceadaabd69d7312
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id	oai:doaj.org-article:0e3ddba820b14b7aaceadaabd69d7312
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spelling	oai:doaj.org-article:0e3ddba820b14b7aaceadaabd69d73122021-11-27T09:24:55ZThe Change of Concept: the Formation and Reflection of Applied Ethnomusicology1410-97002655-915310.33153/glr.v19i2.3978https://doaj.org/article/0e3ddba820b14b7aaceadaabd69d73122021-12-01T00:00:00Zhttps://jurnal.isi-ska.ac.id/index.php/gelar/article/view/3978https://doaj.org/toc/1410-9700https://doaj.org/toc/2655-9153If the study of Jesse Fewkes and Frances Densmore in the late 19th century is taken into account, western Applied Ethnomusicology is entering its second century. After more than one hundred years of development, Applied Ethnomusicology has basically become a relatively mature research path in the West, which not only provides scholars with a new research perspective but also enriches the subject connotation of Ethnomusicology to a certain extent with its research philosophy and value pursuit. In China, Applied Ethnomusicology has attracted more and more attention. Therefore, reviewing the development history of the discipline is not only conducive to clarifying the development context of the discipline but also conducive to reflecting on the current problems and better grasping the development trend of the discipline. In the first part of this paper, the factors influencing the birth and development of applied ethnomusicology are further discussed from within and outside the discipline, respectively based on consulting relevant literature and briefly summarizing the existing discussions of scholars. The second part mainly discusses the research characteristics of Applied Ethnomusicology, such as "pragmatic orientation", "change of researcher's identity", and "emphasis on intervention and intervention". The third part of the Applied Ethnomusicology on the "intervention", "the definition of" discipline "and the edge of two issues are discussed.Bao HanshiSularso SularsoMarie-Christinne B ClarissePusat Penerbitan ISI Surakartaarticleethnomusicologyapplied ethnomusicologyreflect on the disciplineFine ArtsNIDGelar: Jurnal Seni Budaya, Vol 19, Iss 2, Pp 114-120 (2021)
institution	DOAJ
collection	DOAJ
language	ID
topic	ethnomusicology applied ethnomusicology reflect on the discipline Fine Arts N
spellingShingle	ethnomusicology applied ethnomusicology reflect on the discipline Fine Arts N Bao Hanshi Sularso Sularso Marie-Christinne B Clarisse The Change of Concept: the Formation and Reflection of Applied Ethnomusicology
description	If the study of Jesse Fewkes and Frances Densmore in the late 19th century is taken into account, western Applied Ethnomusicology is entering its second century. After more than one hundred years of development, Applied Ethnomusicology has basically become a relatively mature research path in the West, which not only provides scholars with a new research perspective but also enriches the subject connotation of Ethnomusicology to a certain extent with its research philosophy and value pursuit. In China, Applied Ethnomusicology has attracted more and more attention. Therefore, reviewing the development history of the discipline is not only conducive to clarifying the development context of the discipline but also conducive to reflecting on the current problems and better grasping the development trend of the discipline. In the first part of this paper, the factors influencing the birth and development of applied ethnomusicology are further discussed from within and outside the discipline, respectively based on consulting relevant literature and briefly summarizing the existing discussions of scholars. The second part mainly discusses the research characteristics of Applied Ethnomusicology, such as "pragmatic orientation", "change of researcher's identity", and "emphasis on intervention and intervention". The third part of the Applied Ethnomusicology on the "intervention", "the definition of" discipline "and the edge of two issues are discussed.
format	article
author	Bao Hanshi Sularso Sularso Marie-Christinne B Clarisse
author_facet	Bao Hanshi Sularso Sularso Marie-Christinne B Clarisse
author_sort	Bao Hanshi
title	The Change of Concept: the Formation and Reflection of Applied Ethnomusicology
title_short	The Change of Concept: the Formation and Reflection of Applied Ethnomusicology
title_full	The Change of Concept: the Formation and Reflection of Applied Ethnomusicology
title_fullStr	The Change of Concept: the Formation and Reflection of Applied Ethnomusicology
title_full_unstemmed	The Change of Concept: the Formation and Reflection of Applied Ethnomusicology
title_sort	change of concept: the formation and reflection of applied ethnomusicology
publisher	Pusat Penerbitan ISI Surakarta
publishDate	2021
url	https://doaj.org/article/0e3ddba820b14b7aaceadaabd69d7312
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The Change of Concept: the Formation and Reflection of Applied Ethnomusicology

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