Cinco mulheres: vozes em ricochete

Marcelino Freire, whose character moves between the countryside and the city, has been writing as one who hears the others, exercising alterity. Taking as a start- ing point the texts’ enunciation and inscenation dynamics, this work aims to fol- low the path of five poor women, “Muribeca”, “Comadre”...

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Autor principal: Ivete Lara Camargos Walty
Formato: article
Lenguaje:ES
PT
Publicado: Universidade de Brasília 2013
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Acceso en línea:https://doaj.org/article/0ede3ad1d99c40648cad025bf24ba645
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Sumario:Marcelino Freire, whose character moves between the countryside and the city, has been writing as one who hears the others, exercising alterity. Taking as a start- ing point the texts’ enunciation and inscenation dynamics, this work aims to fol- low the path of five poor women, “Muribeca”, “Comadre”, “Darluz”, “Da Paz” and “Totonha”, pointing to the tension exposed between the social voices pre- sented and the author ́s voice. The latter comes as the result of strategies used in the composing of an explicitly interlocutory writing, which includes the reader.