Cinco mulheres: vozes em ricochete
Marcelino Freire, whose character moves between the countryside and the city, has been writing as one who hears the others, exercising alterity. Taking as a start- ing point the texts’ enunciation and inscenation dynamics, this work aims to fol- low the path of five poor women, “Muribeca”, “Comadre”...
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| Autor principal: | |
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| Formato: | article |
| Lenguaje: | ES PT |
| Publicado: |
Universidade de Brasília
2013
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| Acceso en línea: | https://doaj.org/article/0ede3ad1d99c40648cad025bf24ba645 |
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| Sumario: | Marcelino Freire, whose character moves between the countryside and the city, has been writing as one who hears the others, exercising alterity. Taking as a start- ing point the texts’ enunciation and inscenation dynamics, this work aims to fol- low the path of five poor women, “Muribeca”, “Comadre”, “Darluz”, “Da Paz” and “Totonha”, pointing to the tension exposed between the social voices pre- sented and the author ́s voice. The latter comes as the result of strategies used in the composing of an explicitly interlocutory writing, which includes the reader. |
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