Cinco mulheres: vozes em ricochete
Marcelino Freire, whose character moves between the countryside and the city, has been writing as one who hears the others, exercising alterity. Taking as a start- ing point the texts’ enunciation and inscenation dynamics, this work aims to fol- low the path of five poor women, “Muribeca”, “Comadre”...
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Universidade de Brasília
2013
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oai:doaj.org-article:0ede3ad1d99c40648cad025bf24ba6452021-11-11T15:52:08ZCinco mulheres: vozes em ricochete1518-01582316-4018https://doaj.org/article/0ede3ad1d99c40648cad025bf24ba6452013-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=323127374002https://doaj.org/toc/1518-0158https://doaj.org/toc/2316-4018Marcelino Freire, whose character moves between the countryside and the city, has been writing as one who hears the others, exercising alterity. Taking as a start- ing point the texts’ enunciation and inscenation dynamics, this work aims to fol- low the path of five poor women, “Muribeca”, “Comadre”, “Darluz”, “Da Paz” and “Totonha”, pointing to the tension exposed between the social voices pre- sented and the author ́s voice. The latter comes as the result of strategies used in the composing of an explicitly interlocutory writing, which includes the reader.Ivete Lara Camargos WaltyUniversidade de BrasíliaarticleenunciationencenationpovertyalterityFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999ESPTEstudos de Literatura Brasileira Contemporânea, Iss 41, Pp 17-31 (2013) |
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DOAJ |
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ES PT |
topic |
enunciation encenation poverty alterity French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 |
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enunciation encenation poverty alterity French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Ivete Lara Camargos Walty Cinco mulheres: vozes em ricochete |
description |
Marcelino Freire, whose character moves between the countryside and the city, has been writing as one who hears the others, exercising alterity. Taking as a start- ing point the texts’ enunciation and inscenation dynamics, this work aims to fol- low the path of five poor women, “Muribeca”, “Comadre”, “Darluz”, “Da Paz” and “Totonha”, pointing to the tension exposed between the social voices pre- sented and the author ́s voice. The latter comes as the result of strategies used in the composing of an explicitly interlocutory writing, which includes the reader. |
format |
article |
author |
Ivete Lara Camargos Walty |
author_facet |
Ivete Lara Camargos Walty |
author_sort |
Ivete Lara Camargos Walty |
title |
Cinco mulheres: vozes em ricochete |
title_short |
Cinco mulheres: vozes em ricochete |
title_full |
Cinco mulheres: vozes em ricochete |
title_fullStr |
Cinco mulheres: vozes em ricochete |
title_full_unstemmed |
Cinco mulheres: vozes em ricochete |
title_sort |
cinco mulheres: vozes em ricochete |
publisher |
Universidade de Brasília |
publishDate |
2013 |
url |
https://doaj.org/article/0ede3ad1d99c40648cad025bf24ba645 |
work_keys_str_mv |
AT ivetelaracamargoswalty cincomulheresvozesemricochete |
_version_ |
1718433222773178368 |