<i>Scream</i>, cultura popular y el feminismo de la tercera ola: "Yo no soy mi madre"

<i>Scream</i>, cultura popular y el feminismo de la tercera ola: "Yo no soy mi madre"

This paper analyzes Wes Craven’s horror trilogy Scream; the trilogy, like all popular texts, is riddled with contradictions about women’s representation that beg a careful analysis based on an informed understanding of media culture and representation, of history, and of the issues that matter to yo...

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Autores principales: Kathleen Rowe Karlyn, Isabel Clúa Ginés
Formato: article
Lenguaje:CA
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Publicado: Universitat de Barcelona 2005
Materias:
Women. Feminism
HQ1101-2030.7
Acceso en línea:https://doaj.org/article/0fb43e5c39cf47e089d9b6c69ef7e805
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spelling oai:doaj.org-article:0fb43e5c39cf47e089d9b6c69ef7e8052021-12-02T18:10:50Z<i>Scream</i>, cultura popular y el feminismo de la tercera ola: "Yo no soy mi madre"1136-57812013-9470https://doaj.org/article/0fb43e5c39cf47e089d9b6c69ef7e8052005-01-01T00:00:00Zhttp://revistes.ub.edu/index.php/lectora/article/view/7110https://doaj.org/toc/1136-5781https://doaj.org/toc/2013-9470This paper analyzes Wes Craven’s horror trilogy Scream; the trilogy, like all popular texts, is riddled with contradictions about women’s representation that beg a careful analysis based on an informed understanding of media culture and representation, of history, and of the issues that matter to young women today. My reading of the film draws up the connections between Third Wave feminism and popular culture in order to show how these films provide a rich opportunity to study the contradictions and possibilities of feminism in a postmodern age. The purpose here is not to mount an unconditional defense of popular culture, but to argue that women who care about the next generation of girls need to learn more about the popular texts they're drawn to. If a productive conversation is going to happen among women of all ages about the future of the feminist movement, it will have to take place on the terrain of popular culture where young women today are refashioning feminism toward their own ends.Kathleen Rowe KarlynIsabel Clúa GinésUniversitat de BarcelonaarticleWomen. FeminismHQ1101-2030.7CAENESEUFRGLITPTLectora: Revista de Dones i Textualitat, Iss 11 (2005)
institution DOAJ
collection DOAJ
language CA
EN
ES
EU
FR
GL
IT
PT
topic Women. Feminism
HQ1101-2030.7
spellingShingle Women. Feminism
HQ1101-2030.7
Kathleen Rowe Karlyn
Isabel Clúa Ginés
<i>Scream</i>, cultura popular y el feminismo de la tercera ola: "Yo no soy mi madre"
description This paper analyzes Wes Craven’s horror trilogy Scream; the trilogy, like all popular texts, is riddled with contradictions about women’s representation that beg a careful analysis based on an informed understanding of media culture and representation, of history, and of the issues that matter to young women today. My reading of the film draws up the connections between Third Wave feminism and popular culture in order to show how these films provide a rich opportunity to study the contradictions and possibilities of feminism in a postmodern age. The purpose here is not to mount an unconditional defense of popular culture, but to argue that women who care about the next generation of girls need to learn more about the popular texts they're drawn to. If a productive conversation is going to happen among women of all ages about the future of the feminist movement, it will have to take place on the terrain of popular culture where young women today are refashioning feminism toward their own ends.
format article
author Kathleen Rowe Karlyn
Isabel Clúa Ginés
author_facet Kathleen Rowe Karlyn
Isabel Clúa Ginés
author_sort Kathleen Rowe Karlyn
title <i>Scream</i>, cultura popular y el feminismo de la tercera ola: "Yo no soy mi madre"
title_short <i>Scream</i>, cultura popular y el feminismo de la tercera ola: "Yo no soy mi madre"
title_full <i>Scream</i>, cultura popular y el feminismo de la tercera ola: "Yo no soy mi madre"
title_fullStr <i>Scream</i>, cultura popular y el feminismo de la tercera ola: "Yo no soy mi madre"
title_full_unstemmed <i>Scream</i>, cultura popular y el feminismo de la tercera ola: "Yo no soy mi madre"
title_sort <i>scream</i>, cultura popular y el feminismo de la tercera ola: "yo no soy mi madre"
publisher Universitat de Barcelona
publishDate 2005
url https://doaj.org/article/0fb43e5c39cf47e089d9b6c69ef7e805
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