TÜRK RESİM SANATI TARİHİNDE İLK VE ÖNCÜ KADIN SANATÇI MİHRİ MÜŞFİK

In the 19th century, reforms took place in many areas with the Westernization movement known in the last period of the Ottoman Empire. There was a development in the western axis in the political, social, cultural and artistic fields. There have been many positive developments in women's educat...

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Autor principal: Leyla ÖNEN
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Publicado: Fırat University 2021
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Acceso en línea:https://doaj.org/article/0fcd48345690400d9d02f03c07b442fc
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spelling oai:doaj.org-article:0fcd48345690400d9d02f03c07b442fc2021-11-24T09:20:33ZTÜRK RESİM SANATI TARİHİNDE İLK VE ÖNCÜ KADIN SANATÇI MİHRİ MÜŞFİK2148-416310.29228/JASSS.49338https://doaj.org/article/0fcd48345690400d9d02f03c07b442fc2021-05-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=93ef5544-7269-4389-8e50-815cbbc78890.pdf&key=49338https://doaj.org/toc/2148-4163In the 19th century, reforms took place in many areas with the Westernization movement known in the last period of the Ottoman Empire. There was a development in the western axis in the political, social, cultural and artistic fields. There have been many positive developments in women's education and social equality. With the inclination of elite and highly educated women to art, women started to take part in artistic and cultural activities. During this period, Mihri Mushfik (1886-1954) was one of the first artists in the art of painting with pioneering steps. Mihri Hanım played an important role in the development of contemporary Turkish painting by coping with the difficulties of being a woman in the turbulent times of the Ottoman Empire. In this study, it is aimed to examine the life and works of Mihri Mushfik, one of the leading women of contemporary Turkish painting, based on the political, social and cultural events of the period she lived. The study covers the years between 1886 and 1954.This study is based on the effects of the events that took place in the Ottoman period and the years after the proclamation of the Turkish Republic on the artist's art. In the study, the works of the artist, which were formed with the effects of Western art, were discussed. In this study, it is tried to determine the place of women in contemporary Turkish painting in the example of Mihri Mushfik. The fact that the name of the artist, who struggles with the problems caused by gender inequality, is included in few sources reveals the importance of the work. This research was created by qualitative research method. The descriptive-scanning method was used in the research. In this study, information about the artistic production process and activity of the artist was obtained by the method of literature review. Work images of the artist were included as the material of the research.Leyla ÖNENFırat Universityarticlemihri mushfikturkish paintingsecond constitutional monarchyturkish republicgenderSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 14, Iss 84, Pp 305-320 (2021)
institution DOAJ
collection DOAJ
language DE
EN
FR
TR
topic mihri mushfik
turkish painting
second constitutional monarchy
turkish republic
gender
Social Sciences
H
Social sciences (General)
H1-99
spellingShingle mihri mushfik
turkish painting
second constitutional monarchy
turkish republic
gender
Social Sciences
H
Social sciences (General)
H1-99
Leyla ÖNEN
TÜRK RESİM SANATI TARİHİNDE İLK VE ÖNCÜ KADIN SANATÇI MİHRİ MÜŞFİK
description In the 19th century, reforms took place in many areas with the Westernization movement known in the last period of the Ottoman Empire. There was a development in the western axis in the political, social, cultural and artistic fields. There have been many positive developments in women's education and social equality. With the inclination of elite and highly educated women to art, women started to take part in artistic and cultural activities. During this period, Mihri Mushfik (1886-1954) was one of the first artists in the art of painting with pioneering steps. Mihri Hanım played an important role in the development of contemporary Turkish painting by coping with the difficulties of being a woman in the turbulent times of the Ottoman Empire. In this study, it is aimed to examine the life and works of Mihri Mushfik, one of the leading women of contemporary Turkish painting, based on the political, social and cultural events of the period she lived. The study covers the years between 1886 and 1954.This study is based on the effects of the events that took place in the Ottoman period and the years after the proclamation of the Turkish Republic on the artist's art. In the study, the works of the artist, which were formed with the effects of Western art, were discussed. In this study, it is tried to determine the place of women in contemporary Turkish painting in the example of Mihri Mushfik. The fact that the name of the artist, who struggles with the problems caused by gender inequality, is included in few sources reveals the importance of the work. This research was created by qualitative research method. The descriptive-scanning method was used in the research. In this study, information about the artistic production process and activity of the artist was obtained by the method of literature review. Work images of the artist were included as the material of the research.
format article
author Leyla ÖNEN
author_facet Leyla ÖNEN
author_sort Leyla ÖNEN
title TÜRK RESİM SANATI TARİHİNDE İLK VE ÖNCÜ KADIN SANATÇI MİHRİ MÜŞFİK
title_short TÜRK RESİM SANATI TARİHİNDE İLK VE ÖNCÜ KADIN SANATÇI MİHRİ MÜŞFİK
title_full TÜRK RESİM SANATI TARİHİNDE İLK VE ÖNCÜ KADIN SANATÇI MİHRİ MÜŞFİK
title_fullStr TÜRK RESİM SANATI TARİHİNDE İLK VE ÖNCÜ KADIN SANATÇI MİHRİ MÜŞFİK
title_full_unstemmed TÜRK RESİM SANATI TARİHİNDE İLK VE ÖNCÜ KADIN SANATÇI MİHRİ MÜŞFİK
title_sort türk resi̇m sanati tari̇hi̇nde i̇lk ve öncü kadin sanatçi mi̇hri̇ müşfi̇k
publisher Fırat University
publishDate 2021
url https://doaj.org/article/0fcd48345690400d9d02f03c07b442fc
work_keys_str_mv AT leylaonen turkresimsanatitarihindeilkveoncukadinsanatcimihrimusfik
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