Biblical Subtexts as Arbiters for Ambiguous Passages

This article sums up various arguments made in the author’s current and previous research of Biblical and Liturgical Subtexts in Dostoevsky. The more important an allusion to a sacred source is for Dostoevsky’s own message in any given work, the more “out of place” these allusions seem to be at firs...

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Autor principal:	Olga Meerson
Formato:	article
Lenguaje:	EN RU
Publicado:	Russian Academy of Sciences. A.M. Gorky Institute of World Literature 2019
Materias:	authority (narrative) axiology allusion apophatic discourse bakhtin dostoevsky sacrifice intertextuality irony truth kenosis criteria for narrative reliability moment of truth literary motivation parody subtext (biblical/ liturgical) polyphony poetics rhetoric syntax scandal style church-slavonic the borrowed word shock Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/102a817c32de40cfbea0b4b74844ca4a
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spelling	oai:doaj.org-article:102a817c32de40cfbea0b4b74844ca4a2021-11-25T07:47:51ZBiblical Subtexts as Arbiters for Ambiguous Passages10.22455/2619-0311-2019-3-34-512619-03112712-8512https://doaj.org/article/102a817c32de40cfbea0b4b74844ca4a2019-09-01T00:00:00Zhttp://dostmirkult.ru/images/DOST_2019-37-int-A-35-52.pdfhttps://doaj.org/toc/2619-0311https://doaj.org/toc/2712-8512This article sums up various arguments made in the author’s current and previous research of Biblical and Liturgical Subtexts in Dostoevsky. The more important an allusion to a sacred source is for Dostoevsky’s own message in any given work, the more “out of place” these allusions seem to be at first glance. Often the reader even completely represses these allusions forcing them out into the area of the subconscious only – so scandalous and inappropriate they seem to be. This shocking scandalousness of sacred allusions is shared by both Dostoevsky’s own poetics with its unexpected, and unexpectedly reassuring scandalousness, and by what is unexpected and new, or even revolutionary, in the original religious texts he alludes to, such as St. Paul’s message on the Cross in 1Cor. 1:23-24. Thus, the author of the article shows that analyzing these allusions and subtexts can help us solve those riddles of Dostoevsky’s authorial poetics and axiology.Olga MeersonRussian Academy of Sciences. A.M. Gorky Institute of World Literaturearticleauthority (narrative)axiologyallusionapophatic discoursebakhtindostoevskysacrificeintertextualityironytruthkenosiscriteria for narrative reliabilitymoment of truthliterary motivationparodysubtext (biblical/ liturgical)polyphonypoeticsrhetoricsyntaxscandalstylechurch-slavonicthe borrowed wordshockSlavic languages. Baltic languages. Albanian languagesPG1-9665ENRUДостоевский и мировая культура: Филологический журнал, Iss 3, Pp 34-51 (2019)
institution	DOAJ
collection	DOAJ
language	EN RU
topic	authority (narrative) axiology allusion apophatic discourse bakhtin dostoevsky sacrifice intertextuality irony truth kenosis criteria for narrative reliability moment of truth literary motivation parody subtext (biblical/ liturgical) polyphony poetics rhetoric syntax scandal style church-slavonic the borrowed word shock Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	authority (narrative) axiology allusion apophatic discourse bakhtin dostoevsky sacrifice intertextuality irony truth kenosis criteria for narrative reliability moment of truth literary motivation parody subtext (biblical/ liturgical) polyphony poetics rhetoric syntax scandal style church-slavonic the borrowed word shock Slavic languages. Baltic languages. Albanian languages PG1-9665 Olga Meerson Biblical Subtexts as Arbiters for Ambiguous Passages
description	This article sums up various arguments made in the author’s current and previous research of Biblical and Liturgical Subtexts in Dostoevsky. The more important an allusion to a sacred source is for Dostoevsky’s own message in any given work, the more “out of place” these allusions seem to be at first glance. Often the reader even completely represses these allusions forcing them out into the area of the subconscious only – so scandalous and inappropriate they seem to be. This shocking scandalousness of sacred allusions is shared by both Dostoevsky’s own poetics with its unexpected, and unexpectedly reassuring scandalousness, and by what is unexpected and new, or even revolutionary, in the original religious texts he alludes to, such as St. Paul’s message on the Cross in 1Cor. 1:23-24. Thus, the author of the article shows that analyzing these allusions and subtexts can help us solve those riddles of Dostoevsky’s authorial poetics and axiology.
format	article
author	Olga Meerson
author_facet	Olga Meerson
author_sort	Olga Meerson
title	Biblical Subtexts as Arbiters for Ambiguous Passages
title_short	Biblical Subtexts as Arbiters for Ambiguous Passages
title_full	Biblical Subtexts as Arbiters for Ambiguous Passages
title_fullStr	Biblical Subtexts as Arbiters for Ambiguous Passages
title_full_unstemmed	Biblical Subtexts as Arbiters for Ambiguous Passages
title_sort	biblical subtexts as arbiters for ambiguous passages
publisher	Russian Academy of Sciences. A.M. Gorky Institute of World Literature
publishDate	2019
url	https://doaj.org/article/102a817c32de40cfbea0b4b74844ca4a
work_keys_str_mv	AT olgameerson biblicalsubtextsasarbitersforambiguouspassages
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Biblical Subtexts as Arbiters for Ambiguous Passages

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