Por que você não coleciona selos como todo mundo? Velhice e objetos de coleção na trajetória de Urbano, O Aposentado

On the basis of the "Urbano" strips, this article discusses the collections of "useless" objects in a context of heritage and social memory. In the various collections of "useless things", the memories evoked by the objects - many of them biographical - are mirror specu...

Descripción completa

Guardado en:

Detalles Bibliográficos
Autor principal:	Leila Beatriz Ribeiro
Formato:	article
Lenguaje:	PT
Publicado:	Universidade do Vale do Rio dos Sinos (UNISINOS) 2011
Materias:	collection of objects heritage old age Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/10505bca88074c3c9e4bc8695ea7794f
Etiquetas:	Agregar Etiqueta Sin Etiquetas, Sea el primero en etiquetar este registro!

id	oai:doaj.org-article:10505bca88074c3c9e4bc8695ea7794f
record_format	dspace
spelling	oai:doaj.org-article:10505bca88074c3c9e4bc8695ea7794f2021-11-11T15:41:58ZPor que você não coleciona selos como todo mundo? Velhice e objetos de coleção na trajetória de Urbano, O Aposentado2177-6229https://doaj.org/article/10505bca88074c3c9e4bc8695ea7794f2011-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=93821299003https://doaj.org/toc/2177-6229On the basis of the "Urbano" strips, this article discusses the collections of "useless" objects in a context of heritage and social memory. In the various collections of "useless things", the memories evoked by the objects - many of them biographical - are mirror specular and subjective relations to the re-ordered world of "Urbano". They are transformed into possibilities of power and experience of a renewed life for himself and for the group around him. Travelling to places through postcards; sharing with the living statue on the square the songs from his collection of music boxes, etc. are ways of narrowing, of affirmation of an identity and of "a peaceful impression of continuity". This impression is reinforced by the "company of the things that become old together with us", according to Bosi (2009, p. 441), since the collection has the power to represent the individual, making the object to be perpetuated as a link between the individual and the world around him. Under the informational perspective, these representations provide ways of reading within a larger picture of the Brazilian society, viz. the retired elderly. Why should we not see the collectionist practice of "Urbano" as a metaphor of resistance to disposal, as a criticism of consumer attitudes, of the death of things? If old age and retired people are social categories, why should we not relate "Urbano's" objects, subject to disposal, with some representations of old age and of retired people as unproductive?Leila Beatriz RibeiroUniversidade do Vale do Rio dos Sinos (UNISINOS)articlecollection of objectsheritageold ageSocial SciencesHSocial sciences (General)H1-99PTCiências Sociais Unisinos, Vol 47, Iss 3, Pp 199-207 (2011)
institution	DOAJ
collection	DOAJ
language	PT
topic	collection of objects heritage old age Social Sciences H Social sciences (General) H1-99
spellingShingle	collection of objects heritage old age Social Sciences H Social sciences (General) H1-99 Leila Beatriz Ribeiro Por que você não coleciona selos como todo mundo? Velhice e objetos de coleção na trajetória de Urbano, O Aposentado
description	On the basis of the "Urbano" strips, this article discusses the collections of "useless" objects in a context of heritage and social memory. In the various collections of "useless things", the memories evoked by the objects - many of them biographical - are mirror specular and subjective relations to the re-ordered world of "Urbano". They are transformed into possibilities of power and experience of a renewed life for himself and for the group around him. Travelling to places through postcards; sharing with the living statue on the square the songs from his collection of music boxes, etc. are ways of narrowing, of affirmation of an identity and of "a peaceful impression of continuity". This impression is reinforced by the "company of the things that become old together with us", according to Bosi (2009, p. 441), since the collection has the power to represent the individual, making the object to be perpetuated as a link between the individual and the world around him. Under the informational perspective, these representations provide ways of reading within a larger picture of the Brazilian society, viz. the retired elderly. Why should we not see the collectionist practice of "Urbano" as a metaphor of resistance to disposal, as a criticism of consumer attitudes, of the death of things? If old age and retired people are social categories, why should we not relate "Urbano's" objects, subject to disposal, with some representations of old age and of retired people as unproductive?
format	article
author	Leila Beatriz Ribeiro
author_facet	Leila Beatriz Ribeiro
author_sort	Leila Beatriz Ribeiro
title	Por que você não coleciona selos como todo mundo? Velhice e objetos de coleção na trajetória de Urbano, O Aposentado
title_short	Por que você não coleciona selos como todo mundo? Velhice e objetos de coleção na trajetória de Urbano, O Aposentado
title_full	Por que você não coleciona selos como todo mundo? Velhice e objetos de coleção na trajetória de Urbano, O Aposentado
title_fullStr	Por que você não coleciona selos como todo mundo? Velhice e objetos de coleção na trajetória de Urbano, O Aposentado
title_full_unstemmed	Por que você não coleciona selos como todo mundo? Velhice e objetos de coleção na trajetória de Urbano, O Aposentado
title_sort	por que você não coleciona selos como todo mundo? velhice e objetos de coleção na trajetória de urbano, o aposentado
publisher	Universidade do Vale do Rio dos Sinos (UNISINOS)
publishDate	2011
url	https://doaj.org/article/10505bca88074c3c9e4bc8695ea7794f
work_keys_str_mv	AT leilabeatrizribeiro porquevocenaocolecionaseloscomotodomundovelhiceeobjetosdecolecaonatrajetoriadeurbanooaposentado
_version_	1718434131082215424

Por que você não coleciona selos como todo mundo? Velhice e objetos de coleção na trajetória de Urbano, O Aposentado

Ejemplares similares