Herr Panzerbitter: An Episode From the History of Russian Collaborative Poetry From the Late 18th Through the First Third of the 19th Century
The present article analyzes a playful collective poem “Commemoration” (“We have to commemorate certainly and for sure..”, 1833) which was co -authored by Petr Vyazemsky, Alexander Pushkin and Ivan Myatlev and addressed to their friend, one of the founders of Russian nonsense poetry, Vasily Zhukovsk...
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Russian Academy of Sciences. A.M. Gorky Institute of World Literature
2020
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oai:doaj.org-article:111f9dbe8423461db0f2c52884b79f2b2021-11-24T08:55:13ZHerr Panzerbitter: An Episode From the History of Russian Collaborative Poetry From the Late 18th Through the First Third of the 19th Century10.22455/2541-8297-2020-18-260-2992541-82972542-2421https://doaj.org/article/111f9dbe8423461db0f2c52884b79f2b2020-12-01T00:00:00Zhttp://litfact.ru/images/2020-18/LF-2020-4-18_260-299_Vinitsky.pdfhttps://doaj.org/toc/2541-8297https://doaj.org/toc/2542-2421The present article analyzes a playful collective poem “Commemoration” (“We have to commemorate certainly and for sure..”, 1833) which was co -authored by Petr Vyazemsky, Alexander Pushkin and Ivan Myatlev and addressed to their friend, one of the founders of Russian nonsense poetry, Vasily Zhukovsky. The article focuses on the name of “the former poet Panzerbitter, the venerable elder of our parish,” which opens the epistle, and argues that it serves as the interpretative key to the entire text. Who was this poet who has been left unnoticed by all compilers of dictionaries of Russian writers of the 18th century? Was he a real person? What does his name signify and why did the authors of the playful epistle start their commemorative missive to Zhukovsky with the reference to this “Herr”? The author recontructs the “corpus of literary works” attributed to Panzerbitter, including the text of the unpublished play Five Thousand Roubles, and analyzes the allusive semantics and the pragmatics (a mischievous poetic consolation of Zhukovsky and parodic “wake” for ultra -royalism) of the “Commemoration,” considering the latter in the context of Russian frivolous “underground” poetry of the late 18th and early 19th centuries.Ilya Iu. VinitskyRussian Academy of Sciences. A.M. Gorky Institute of World Literaturearticlecollective poetry18th century frivolous (“underground”) poetryliterary mystificationspetr viazemskiialexander pushkinivan miatlevvasily zhukovskynikolai karamzinfedor glinkadmitry gorchakovLiterature (General)PN1-6790Slavic languages. Baltic languages. Albanian languagesPG1-9665ENRUЛитературный факт, Iss 4 (18), Pp 260-299 (2020) |
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collective poetry 18th century frivolous (“underground”) poetry literary mystifications petr viazemskii alexander pushkin ivan miatlev vasily zhukovsky nikolai karamzin fedor glinka dmitry gorchakov Literature (General) PN1-6790 Slavic languages. Baltic languages. Albanian languages PG1-9665 |
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collective poetry 18th century frivolous (“underground”) poetry literary mystifications petr viazemskii alexander pushkin ivan miatlev vasily zhukovsky nikolai karamzin fedor glinka dmitry gorchakov Literature (General) PN1-6790 Slavic languages. Baltic languages. Albanian languages PG1-9665 Ilya Iu. Vinitsky Herr Panzerbitter: An Episode From the History of Russian Collaborative Poetry From the Late 18th Through the First Third of the 19th Century |
description |
The present article analyzes a playful collective poem “Commemoration” (“We have to commemorate certainly and for sure..”, 1833) which was co -authored by Petr Vyazemsky, Alexander Pushkin and Ivan Myatlev and addressed to their friend, one of the founders of Russian nonsense poetry, Vasily Zhukovsky. The article focuses on the name of “the former poet Panzerbitter, the venerable elder of our parish,” which opens the epistle, and argues that it serves as the interpretative key to the entire text. Who was this poet who has been left unnoticed by all compilers of dictionaries of Russian writers of the 18th century? Was he a real person? What does his name signify and why did the authors of the playful epistle start their commemorative missive to Zhukovsky with the reference to this “Herr”? The author recontructs the “corpus of literary works” attributed to Panzerbitter, including the text of the unpublished play Five Thousand Roubles, and analyzes the allusive semantics and the pragmatics (a mischievous poetic consolation of Zhukovsky and parodic “wake” for ultra -royalism) of the “Commemoration,” considering the latter in the context of Russian frivolous “underground” poetry of the late 18th and early 19th centuries. |
format |
article |
author |
Ilya Iu. Vinitsky |
author_facet |
Ilya Iu. Vinitsky |
author_sort |
Ilya Iu. Vinitsky |
title |
Herr Panzerbitter: An Episode From the History of Russian Collaborative Poetry From the Late 18th Through the First Third of the 19th Century |
title_short |
Herr Panzerbitter: An Episode From the History of Russian Collaborative Poetry From the Late 18th Through the First Third of the 19th Century |
title_full |
Herr Panzerbitter: An Episode From the History of Russian Collaborative Poetry From the Late 18th Through the First Third of the 19th Century |
title_fullStr |
Herr Panzerbitter: An Episode From the History of Russian Collaborative Poetry From the Late 18th Through the First Third of the 19th Century |
title_full_unstemmed |
Herr Panzerbitter: An Episode From the History of Russian Collaborative Poetry From the Late 18th Through the First Third of the 19th Century |
title_sort |
herr panzerbitter: an episode from the history of russian collaborative poetry from the late 18th through the first third of the 19th century |
publisher |
Russian Academy of Sciences. A.M. Gorky Institute of World Literature |
publishDate |
2020 |
url |
https://doaj.org/article/111f9dbe8423461db0f2c52884b79f2b |
work_keys_str_mv |
AT ilyaiuvinitsky herrpanzerbitteranepisodefromthehistoryofrussiancollaborativepoetryfromthelate18ththroughthefirstthirdofthe19thcentury |
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1718415780404527104 |