Antyamerykańska trauma i nostalgia za komunizmem we włoskiej wojnie o pamięć na przykładzie twórczości Giorgia Gabera
Anti-American Trauma and Nostalgia for Communism in the Italian Memory War as Presented in Giorgio Gaber’s Work Although the contemporary Italian memory war originally stems from a debate around the trauma of the 1943-1945 civil war between Italian Fascists and the Resistance, it’s almost equall...
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| Formato: | article |
| Lenguaje: | EN PL |
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Ksiegarnia Akademicka Publishing
2021
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| Acceso en línea: | https://doaj.org/article/11d377103bcb41dda1d43a09dc1619a6 |
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| Sumario: | Anti-American Trauma and Nostalgia for Communism in the Italian Memory War as Presented in Giorgio Gaber’s Work
Although the contemporary Italian memory war originally stems from a debate around the trauma of the 1943-1945 civil war between Italian Fascists and the Resistance, it’s almost equally crucial aspect remains that of the two conflicting narratives of the early Cold War period (1945-1948). One of those is the dominant memory pattern, imposed by the ruling Christian Democratic Party (pro-American and anti-Communist), opposed by the alternative and marginalized view promoted by the Communists (anti-American and pro-Communist). Giorgio Gaber (1939-2003), a famous Italian cantautore (singer-songwriter), is one the exponents of anti-American trauma and nostalgia for communism within the latter narrative. In his two famous texts, America and Some used to be Communists, he offers precious insights into these aspects of his generation’s own memory and their ancestors’ post-memory of the post-war period.
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