Apuntes sobre la canción popular moderna en México
After a reflection on the peculiar status of popular song since its entry into "the era of technical reproducibility" described by Benjamin, this article addresses three central aspects of the analysis of the modern popular song: the media construction of the image of the successful singer...
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Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings
2013
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| Acceso en línea: | https://doaj.org/article/12869cadf436476389bd85f626acabc1 |
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oai:doaj.org-article:12869cadf436476389bd85f626acabc12021-11-29T12:31:42ZApuntes sobre la canción popular moderna en México10.23692/imex.3.52193-9756https://doaj.org/article/12869cadf436476389bd85f626acabc12013-01-01T00:00:00Zhttps://www.imex-revista.com/cancion-popular-mexicana/https://doaj.org/toc/2193-9756After a reflection on the peculiar status of popular song since its entry into "the era of technical reproducibility" described by Benjamin, this article addresses three central aspects of the analysis of the modern popular song: the media construction of the image of the successful singer, the textual analysis of the lyrics as well as the constitution and evolution of the genres in which the songs are grouped. To illustrate these three aspects, two Mexican examples will be analyzed: the construction of the image of Chavela Vargas as a cursed singer, the literary roots of the lyrics of the boleros La barca and El reloj, written by Roberto Cantoral, and the vicissitudes of the corrido from the 1930s to the present day.Hartmut NonnenmacherProf. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Ringsarticleboleropopular songchavela vargascorridoroberto cantoralLanguage and LiteraturePENESiMex. México Interdisciplinario/Interdisciplinary Mexico, Vol 2, Iss 3, Pp 49-63 (2013) |
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DOAJ |
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DOAJ |
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EN ES |
| topic |
bolero popular song chavela vargas corrido roberto cantoral Language and Literature P |
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bolero popular song chavela vargas corrido roberto cantoral Language and Literature P Hartmut Nonnenmacher Apuntes sobre la canción popular moderna en México |
| description |
After a reflection on the peculiar status of popular song since its entry into "the era of technical reproducibility" described by Benjamin, this article addresses three central aspects of the analysis of the modern popular song: the media construction of the image of the successful singer, the textual analysis of the lyrics as well as the constitution and evolution of the genres in which the songs are grouped. To illustrate these three aspects, two Mexican examples will be analyzed: the construction of the image of Chavela Vargas as a cursed singer, the literary roots of the lyrics of the boleros La barca and El reloj, written by Roberto Cantoral, and the vicissitudes of the corrido from the 1930s to the present day. |
| format |
article |
| author |
Hartmut Nonnenmacher |
| author_facet |
Hartmut Nonnenmacher |
| author_sort |
Hartmut Nonnenmacher |
| title |
Apuntes sobre la canción popular moderna en México |
| title_short |
Apuntes sobre la canción popular moderna en México |
| title_full |
Apuntes sobre la canción popular moderna en México |
| title_fullStr |
Apuntes sobre la canción popular moderna en México |
| title_full_unstemmed |
Apuntes sobre la canción popular moderna en México |
| title_sort |
apuntes sobre la canción popular moderna en méxico |
| publisher |
Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings |
| publishDate |
2013 |
| url |
https://doaj.org/article/12869cadf436476389bd85f626acabc1 |
| work_keys_str_mv |
AT hartmutnonnenmacher apuntessobrelacancionpopularmodernaenmexico |
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1718407387263533056 |