Speech Representation of Female Images in the Polycode Text of “Heroic” Cycle Cartoons of the Art Studio “Melnitsa”

The article is devoted to the study of the verbal component of animated films with a folk precedent basis. The relevance of the research is due to the need to study the conceptosphere of modern media texts conveying folklore imagery. The results of a comparative analysis of female images in animated...

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Autores principales:	E. N. Ilyina, V. S. Tivo
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2020
Materias:	linguistic folkloristics the language of russian epics linguistic conceptology of folklore media linguistics polycode text Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/12c1a0017f764f38a19b9fc6c3946d8a
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id	oai:doaj.org-article:12c1a0017f764f38a19b9fc6c3946d8a
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spelling	oai:doaj.org-article:12c1a0017f764f38a19b9fc6c3946d8a2021-12-02T07:58:10ZSpeech Representation of Female Images in the Polycode Text of “Heroic” Cycle Cartoons of the Art Studio “Melnitsa”2225-756X2227-129510.24224/2227-1295-2020-3-67-81https://doaj.org/article/12c1a0017f764f38a19b9fc6c3946d8a2020-03-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/7https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The article is devoted to the study of the verbal component of animated films with a folk precedent basis. The relevance of the research is due to the need to study the conceptosphere of modern media texts conveying folklore imagery. The results of a comparative analysis of female images in animated films about Russian heroes are presented (Alyosha Popovich and Tugarin Zmey (2004), Dobrynya Nikitich and Zmey Gorynych (2006), Ilya Muromets and Nightingale the Robber (2007) in comparison with their folk prototypes. The issues of speech representation of the images of the mother and the bride / wife of a hero, traditional for the epic genre, as well as other female images, the appearance of which is due to the influence of other precedent sources, are considered. The conceptual proximity of the narrative-story line basis and the composition of the characters of the texts under study to the Russian fairy tale is proved. Particular attention is paid to the implementation of the stylistic technique of burlesque travesty, it is proved that this technique is the main means of creating a comic effect and performs a text-forming function in the studied polycode content. The scientific novelty of the work is seen in the fact that the verbal component of the animated films studied was not previously the subject of linguistic analysis.E. N. IlyinaV. S. TivoTsentr nauchnykh i obrazovatelnykh proektovarticlelinguistic folkloristicsthe language of russian epicslinguistic conceptology of folkloremedia linguisticspolycode textSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 3, Pp 67-81 (2020)
institution	DOAJ
collection	DOAJ
language	RU
topic	linguistic folkloristics the language of russian epics linguistic conceptology of folklore media linguistics polycode text Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	linguistic folkloristics the language of russian epics linguistic conceptology of folklore media linguistics polycode text Slavic languages. Baltic languages. Albanian languages PG1-9665 E. N. Ilyina V. S. Tivo Speech Representation of Female Images in the Polycode Text of “Heroic” Cycle Cartoons of the Art Studio “Melnitsa”
description	The article is devoted to the study of the verbal component of animated films with a folk precedent basis. The relevance of the research is due to the need to study the conceptosphere of modern media texts conveying folklore imagery. The results of a comparative analysis of female images in animated films about Russian heroes are presented (Alyosha Popovich and Tugarin Zmey (2004), Dobrynya Nikitich and Zmey Gorynych (2006), Ilya Muromets and Nightingale the Robber (2007) in comparison with their folk prototypes. The issues of speech representation of the images of the mother and the bride / wife of a hero, traditional for the epic genre, as well as other female images, the appearance of which is due to the influence of other precedent sources, are considered. The conceptual proximity of the narrative-story line basis and the composition of the characters of the texts under study to the Russian fairy tale is proved. Particular attention is paid to the implementation of the stylistic technique of burlesque travesty, it is proved that this technique is the main means of creating a comic effect and performs a text-forming function in the studied polycode content. The scientific novelty of the work is seen in the fact that the verbal component of the animated films studied was not previously the subject of linguistic analysis.
format	article
author	E. N. Ilyina V. S. Tivo
author_facet	E. N. Ilyina V. S. Tivo
author_sort	E. N. Ilyina
title	Speech Representation of Female Images in the Polycode Text of “Heroic” Cycle Cartoons of the Art Studio “Melnitsa”
title_short	Speech Representation of Female Images in the Polycode Text of “Heroic” Cycle Cartoons of the Art Studio “Melnitsa”
title_full	Speech Representation of Female Images in the Polycode Text of “Heroic” Cycle Cartoons of the Art Studio “Melnitsa”
title_fullStr	Speech Representation of Female Images in the Polycode Text of “Heroic” Cycle Cartoons of the Art Studio “Melnitsa”
title_full_unstemmed	Speech Representation of Female Images in the Polycode Text of “Heroic” Cycle Cartoons of the Art Studio “Melnitsa”
title_sort	speech representation of female images in the polycode text of “heroic” cycle cartoons of the art studio “melnitsa”
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2020
url	https://doaj.org/article/12c1a0017f764f38a19b9fc6c3946d8a
work_keys_str_mv	AT enilyina speechrepresentationoffemaleimagesinthepolycodetextofheroiccyclecartoonsoftheartstudiomelnitsa AT vstivo speechrepresentationoffemaleimagesinthepolycodetextofheroiccyclecartoonsoftheartstudiomelnitsa
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Speech Representation of Female Images in the Polycode Text of “Heroic” Cycle Cartoons of the Art Studio “Melnitsa”

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