Form, force
Literature, philosophy and art can either be seen as an aesthetical form or as distinct moments of the explosive force of life, a process of constant ‘becoming’. Antonio Candido conceives of literature as a social project but he is equally at home in textual analyses, in a sophisticated and unusual...
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Universidad Nacional de Mar del Plata
2021
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oai:doaj.org-article:1376ac2b4f844e4483cc7d33abdb3be02021-11-08T14:14:07ZForm, force2313-9676https://doaj.org/article/1376ac2b4f844e4483cc7d33abdb3be02021-11-01T00:00:00Zhttp://fh.mdp.edu.ar/revistas/index.php/etl/article/view/5615https://doaj.org/toc/2313-9676Literature, philosophy and art can either be seen as an aesthetical form or as distinct moments of the explosive force of life, a process of constant ‘becoming’. Antonio Candido conceives of literature as a social project but he is equally at home in textual analyses, in a sophisticated and unusual perspective. Paulo Emílio Salles Gomes, an ardent promoter and theorist of Brazilian cinema, always read it as a specific force for rupturing life: beyond everyday function, there is not a becoming for some preconceived end, but a becoming for the sake of change itself.Raúl AnteloUniversidad Nacional de Mar del Plataarticleforma estéticafuncióntrasformacióncambioLatin America. Spanish AmericaF1201-3799French literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999ESEstudios de Teoría Literaria, Vol 10, Iss 23, Pp 100-113 (2021) |
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forma estética función trasformación cambio Latin America. Spanish America F1201-3799 French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 |
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forma estética función trasformación cambio Latin America. Spanish America F1201-3799 French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Raúl Antelo Form, force |
| description |
Literature, philosophy and art can either be seen as an aesthetical form or as distinct moments of the explosive force of life, a process of constant ‘becoming’. Antonio Candido conceives of literature as a social project but he is equally at home in textual analyses, in a sophisticated and unusual perspective. Paulo Emílio Salles Gomes, an ardent promoter and theorist of Brazilian cinema, always read it as a specific force for rupturing life: beyond everyday function, there is not a becoming for some preconceived end, but a becoming for the sake of change itself. |
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article |
| author |
Raúl Antelo |
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Raúl Antelo |
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Raúl Antelo |
| title |
Form, force |
| title_short |
Form, force |
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Form, force |
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Form, force |
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Form, force |
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form, force |
| publisher |
Universidad Nacional de Mar del Plata |
| publishDate |
2021 |
| url |
https://doaj.org/article/1376ac2b4f844e4483cc7d33abdb3be0 |
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