Mercados culturais no Brasil: o BNDES e o financiamento das empresas culturais brasileiras

Over the past decade, the Brazilian Development Bank (Portuguese: Banco Nacional de Desenvolvimento Econômico e Social, abbreviated: BNDES) has become the main financial agent of the Brazilian companies specialized in the cultural sector. Throughout the expansion of household expenditure on goods, s...

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Autor principal: Elder P. Maia Alves
Formato: article
Lenguaje:PT
Publicado: Universidade do Vale do Rio dos Sinos (UNISINOS) 2017
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Acceso en línea:https://doaj.org/article/13a6bcf8ef834c0c89bf16499b5e69d0
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spelling oai:doaj.org-article:13a6bcf8ef834c0c89bf16499b5e69d02021-11-11T15:42:01ZMercados culturais no Brasil: o BNDES e o financiamento das empresas culturais brasileiras2177-6229https://doaj.org/article/13a6bcf8ef834c0c89bf16499b5e69d02017-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=93851195004https://doaj.org/toc/2177-6229Over the past decade, the Brazilian Development Bank (Portuguese: Banco Nacional de Desenvolvimento Econômico e Social, abbreviated: BNDES) has become the main financial agent of the Brazilian companies specialized in the cultural sector. Throughout the expansion of household expenditure on goods, services and cultural activities, especially between 2004 and 2014, the Brazilian Development Bank extended its actions, services, financial products for cultural undertakings, plotting this way to a branched financial and institutional network that directly involves those Brazilian companies in the cultural sector operating in certain chains of creation, production, distribution and commercialization of artistic and cultural, digital and entertainment activities, notably in the context of audiovisual, editorial and property segment. This aspect has produced a fairly significant injunction within Brazilian cultural fields, once, until 2006, the largest development bank in Latin America, BNDES, was related to cultural fields only through the regular use of federal laws for Cultural Incentives, as the Rouanet Law, and it did not provide its main financial products, at reduced long-term interest rates, straight away to specialized private cultural undertakings, which comprise long value chains and also harbor the vast majority of workers and professionals in the cultural sector. Such changes have led BNDES to a range of new financial and institutional activities, which, together, turned it into the most important state actor in the market of cultural capitalism in Brazil.Elder P. Maia AlvesUniversidade do Vale do Rio dos Sinos (UNISINOS)articlebrazilian development bank (bndes)cultural fieldsbrazilian companies in the cultural sectorSocial SciencesHSocial sciences (General)H1-99PTCiências Sociais Unisinos, Vol 53, Iss 1, Pp 24-35 (2017)
institution DOAJ
collection DOAJ
language PT
topic brazilian development bank (bndes)
cultural fields
brazilian companies in the cultural sector
Social Sciences
H
Social sciences (General)
H1-99
spellingShingle brazilian development bank (bndes)
cultural fields
brazilian companies in the cultural sector
Social Sciences
H
Social sciences (General)
H1-99
Elder P. Maia Alves
Mercados culturais no Brasil: o BNDES e o financiamento das empresas culturais brasileiras
description Over the past decade, the Brazilian Development Bank (Portuguese: Banco Nacional de Desenvolvimento Econômico e Social, abbreviated: BNDES) has become the main financial agent of the Brazilian companies specialized in the cultural sector. Throughout the expansion of household expenditure on goods, services and cultural activities, especially between 2004 and 2014, the Brazilian Development Bank extended its actions, services, financial products for cultural undertakings, plotting this way to a branched financial and institutional network that directly involves those Brazilian companies in the cultural sector operating in certain chains of creation, production, distribution and commercialization of artistic and cultural, digital and entertainment activities, notably in the context of audiovisual, editorial and property segment. This aspect has produced a fairly significant injunction within Brazilian cultural fields, once, until 2006, the largest development bank in Latin America, BNDES, was related to cultural fields only through the regular use of federal laws for Cultural Incentives, as the Rouanet Law, and it did not provide its main financial products, at reduced long-term interest rates, straight away to specialized private cultural undertakings, which comprise long value chains and also harbor the vast majority of workers and professionals in the cultural sector. Such changes have led BNDES to a range of new financial and institutional activities, which, together, turned it into the most important state actor in the market of cultural capitalism in Brazil.
format article
author Elder P. Maia Alves
author_facet Elder P. Maia Alves
author_sort Elder P. Maia Alves
title Mercados culturais no Brasil: o BNDES e o financiamento das empresas culturais brasileiras
title_short Mercados culturais no Brasil: o BNDES e o financiamento das empresas culturais brasileiras
title_full Mercados culturais no Brasil: o BNDES e o financiamento das empresas culturais brasileiras
title_fullStr Mercados culturais no Brasil: o BNDES e o financiamento das empresas culturais brasileiras
title_full_unstemmed Mercados culturais no Brasil: o BNDES e o financiamento das empresas culturais brasileiras
title_sort mercados culturais no brasil: o bndes e o financiamento das empresas culturais brasileiras
publisher Universidade do Vale do Rio dos Sinos (UNISINOS)
publishDate 2017
url https://doaj.org/article/13a6bcf8ef834c0c89bf16499b5e69d0
work_keys_str_mv AT elderpmaiaalves mercadosculturaisnobrasilobndeseofinanciamentodasempresasculturaisbrasileiras
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