Le diable: origines et avatars

Among the multiples thematic components that have a role in the Fantastic Fiction, this study aims at analyzing the particular case of the myth of the Devil, from the Greek diabállein, that means “to separate”, but also “to mislead”. From this double meaning, it is examined more specifically the no...

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Autor principal:	Maria Cristina Batalha
Formato:	article
Lenguaje:	EN ES FR IT PT
Publicado:	Universitat Autònoma de Barcelona 2019
Materias:	Devil Evil Jacques Cazotte General Works A
Acceso en línea:	https://doaj.org/article/14dbf3ff5dbf436f9d1d7d8ca544126b
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spelling	oai:doaj.org-article:14dbf3ff5dbf436f9d1d7d8ca544126b2021-11-26T12:43:40ZLe diable: origines et avatars10.5565/rev/brumal.4992014-7910https://doaj.org/article/14dbf3ff5dbf436f9d1d7d8ca544126b2019-03-01T00:00:00Zhttps://revistes.uab.cat/brumal/article/view/499https://doaj.org/toc/2014-7910 Among the multiples thematic components that have a role in the Fantastic Fiction, this study aims at analyzing the particular case of the myth of the Devil, from the Greek diabállein, that means “to separate”, but also “to mislead”. From this double meaning, it is examined more specifically the novel Le diable amoureux (1722), by Jacques Cazotte, the melting pot of the different sources which are at the origin of the emergence of Fantastic Literature and the figure of Devil. In the eighteenth century, this presence remains as the emblematic representation of the Evil, but its actualization in the different novels of the time suggests a familiarity until then unusual. Maria Cristina BatalhaUniversitat Autònoma de BarcelonaarticleDevilEvilJacques CazotteGeneral WorksAENESFRITPTBrumal: Revista de Investigación sobre lo Fantástico, Vol 7, Iss 1 (2019)
institution	DOAJ
collection	DOAJ
language	EN ES FR IT PT
topic	Devil Evil Jacques Cazotte General Works A
spellingShingle	Devil Evil Jacques Cazotte General Works A Maria Cristina Batalha Le diable: origines et avatars
description	Among the multiples thematic components that have a role in the Fantastic Fiction, this study aims at analyzing the particular case of the myth of the Devil, from the Greek diabállein, that means “to separate”, but also “to mislead”. From this double meaning, it is examined more specifically the novel Le diable amoureux (1722), by Jacques Cazotte, the melting pot of the different sources which are at the origin of the emergence of Fantastic Literature and the figure of Devil. In the eighteenth century, this presence remains as the emblematic representation of the Evil, but its actualization in the different novels of the time suggests a familiarity until then unusual.
format	article
author	Maria Cristina Batalha
author_facet	Maria Cristina Batalha
author_sort	Maria Cristina Batalha
title	Le diable: origines et avatars
title_short	Le diable: origines et avatars
title_full	Le diable: origines et avatars
title_fullStr	Le diable: origines et avatars
title_full_unstemmed	Le diable: origines et avatars
title_sort	le diable: origines et avatars
publisher	Universitat Autònoma de Barcelona
publishDate	2019
url	https://doaj.org/article/14dbf3ff5dbf436f9d1d7d8ca544126b
work_keys_str_mv	AT mariacristinabatalha lediableoriginesetavatars
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Le diable: origines et avatars

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