The inevitable need to speak in order to be: On the loss of voice in two plays by Timberlake Wertenbaker

The contemporary playwright Timberlake Wertenbaker has shown a long-standing engagement with the themes of language and identity formation. Wertenbaker uses a range of mediumsto explore these subjects and, as one would expect, such concerns have also made frequent appearances in her playwriting. Thi...

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Autor principal:	Sophie Bush
Formato:	article
Lenguaje:	EN
Publicado:	University of Edinburgh 2009
Materias:	Fine Arts N Language and Literature P
Acceso en línea:	https://doaj.org/article/15b62b444bc24fa6b4c9c49d84cd9664
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spelling	oai:doaj.org-article:15b62b444bc24fa6b4c9c49d84cd96642021-11-23T09:46:00ZThe inevitable need to speak in order to be: On the loss of voice in two plays by Timberlake Wertenbaker1749-9771https://doaj.org/article/15b62b444bc24fa6b4c9c49d84cd96642009-12-01T00:00:00Zhttp://www.forumjournal.org/article/view/625https://doaj.org/toc/1749-9771The contemporary playwright Timberlake Wertenbaker has shown a long-standing engagement with the themes of language and identity formation. Wertenbaker uses a range of mediumsto explore these subjects and, as one would expect, such concerns have also made frequent appearances in her playwriting. This article will explore and compare two such plays: the unpublished Case to Answer, first produced by the Soho Poly in 1980, and the more widely known, The Love of the Nightingale, first performed by the Royal Shakespeare Company at The Other Place, Stratford, in 1988.Sophie BushUniversity of EdinburgharticleFine ArtsNLanguage and LiteraturePENForum, Iss 09 (2009)
institution	DOAJ
collection	DOAJ
language	EN
topic	Fine Arts N Language and Literature P
spellingShingle	Fine Arts N Language and Literature P Sophie Bush The inevitable need to speak in order to be: On the loss of voice in two plays by Timberlake Wertenbaker
description	The contemporary playwright Timberlake Wertenbaker has shown a long-standing engagement with the themes of language and identity formation. Wertenbaker uses a range of mediumsto explore these subjects and, as one would expect, such concerns have also made frequent appearances in her playwriting. This article will explore and compare two such plays: the unpublished Case to Answer, first produced by the Soho Poly in 1980, and the more widely known, The Love of the Nightingale, first performed by the Royal Shakespeare Company at The Other Place, Stratford, in 1988.
format	article
author	Sophie Bush
author_facet	Sophie Bush
author_sort	Sophie Bush
title	The inevitable need to speak in order to be: On the loss of voice in two plays by Timberlake Wertenbaker
title_short	The inevitable need to speak in order to be: On the loss of voice in two plays by Timberlake Wertenbaker
title_full	The inevitable need to speak in order to be: On the loss of voice in two plays by Timberlake Wertenbaker
title_fullStr	The inevitable need to speak in order to be: On the loss of voice in two plays by Timberlake Wertenbaker
title_full_unstemmed	The inevitable need to speak in order to be: On the loss of voice in two plays by Timberlake Wertenbaker
title_sort	inevitable need to speak in order to be: on the loss of voice in two plays by timberlake wertenbaker
publisher	University of Edinburgh
publishDate	2009
url	https://doaj.org/article/15b62b444bc24fa6b4c9c49d84cd9664
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The inevitable need to speak in order to be: On the loss of voice in two plays by Timberlake Wertenbaker

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