Les masques de l’Empereur
Considered as a « mythe inépuisable qui se prête à toutes les "lectures" » (J. Tulard), Napoleon Bonaparte has given rise to multiple interpretations for more than two centuries. On the occasion of the bicentenary of his death, this monothematic dossier aims at retracing how Napoleon has b...
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Seminario di filologia francese
2021
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oai:doaj.org-article:15e7b78630234caab37d6c5de6c64db12021-12-02T10:08:31ZLes masques de l’Empereur2240-745610.4000/rief.8702https://doaj.org/article/15e7b78630234caab37d6c5de6c64db12021-11-01T00:00:00Zhttp://journals.openedition.org/rief/8702https://doaj.org/toc/2240-7456Considered as a « mythe inépuisable qui se prête à toutes les "lectures" » (J. Tulard), Napoleon Bonaparte has given rise to multiple interpretations for more than two centuries. On the occasion of the bicentenary of his death, this monothematic dossier aims at retracing how Napoleon has been portrayed in drama productions and shows since the beginning of his celebrity until 1840 – this is the year of the beginning of the political exploitation of his “legend”. Hero of Italy and Egypt, man of providence, good republican and savior of the Revolution, Cromwell or Caesar, Charlemagne or Tiberius, actor, historicized character, tyrant, Harlequin, defeated hero: throughout these decades, Napoleon's masks change and overlap according to the evolution of socio-political contexts, national affiliations, personal opinions. Katherine AstburyPaola PerazzoloSeminario di filologia francesearticleNapoleonEmperor’s masks19th centurytheatreNapoleon’s bicentenary French literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999FRRevue Italienne d'Etudes Françaises, Vol 11 (2021) |
| institution |
DOAJ |
| collection |
DOAJ |
| language |
FR |
| topic |
Napoleon Emperor’s masks 19th century theatre Napoleon’s bicentenary French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 |
| spellingShingle |
Napoleon Emperor’s masks 19th century theatre Napoleon’s bicentenary French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Katherine Astbury Paola Perazzolo Les masques de l’Empereur |
| description |
Considered as a « mythe inépuisable qui se prête à toutes les "lectures" » (J. Tulard), Napoleon Bonaparte has given rise to multiple interpretations for more than two centuries. On the occasion of the bicentenary of his death, this monothematic dossier aims at retracing how Napoleon has been portrayed in drama productions and shows since the beginning of his celebrity until 1840 – this is the year of the beginning of the political exploitation of his “legend”. Hero of Italy and Egypt, man of providence, good republican and savior of the Revolution, Cromwell or Caesar, Charlemagne or Tiberius, actor, historicized character, tyrant, Harlequin, defeated hero: throughout these decades, Napoleon's masks change and overlap according to the evolution of socio-political contexts, national affiliations, personal opinions. |
| format |
article |
| author |
Katherine Astbury Paola Perazzolo |
| author_facet |
Katherine Astbury Paola Perazzolo |
| author_sort |
Katherine Astbury |
| title |
Les masques de l’Empereur |
| title_short |
Les masques de l’Empereur |
| title_full |
Les masques de l’Empereur |
| title_fullStr |
Les masques de l’Empereur |
| title_full_unstemmed |
Les masques de l’Empereur |
| title_sort |
les masques de l’empereur |
| publisher |
Seminario di filologia francese |
| publishDate |
2021 |
| url |
https://doaj.org/article/15e7b78630234caab37d6c5de6c64db1 |
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AT katherineastbury lesmasquesdelempereur AT paolaperazzolo lesmasquesdelempereur |
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