Paul Rudolph and the project for the Finney Guest House
This article considers the status of the project for the Finney Guest House within the professional career of Paul Rudolph, and its relationship to two further projects carried out during the same period, the Revere Quality House and the Healy Guest House. In all three cases Roberta Healy Finney app...
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Universitat Politècnica de València
2021
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oai:doaj.org-article:1729223d77e14b1c896a83a4cc6a02a62021-11-19T11:44:03ZPaul Rudolph and the project for the Finney Guest House1133-61372254-610310.4995/ega.2021.15082https://doaj.org/article/1729223d77e14b1c896a83a4cc6a02a62021-11-01T00:00:00Zhttps://polipapers.upv.es/index.php/EGA/article/view/15082https://doaj.org/toc/1133-6137https://doaj.org/toc/2254-6103This article considers the status of the project for the Finney Guest House within the professional career of Paul Rudolph, and its relationship to two further projects carried out during the same period, the Revere Quality House and the Healy Guest House. In all three cases Roberta Healy Finney appeared as the client or promotor, which leads to the thought that the Finney House might be a precedent for the Healy House. This text comments on some of the best drawings made by Paul Rudolph in the 1940s, including an exercise in the form of a project that he completed under the direction of Walter Gropius, in partial fulfilment of the requirements for obtaining the degree of Master in Architecture at the University of Harvard.Álvaro Moral GarcíaJavier González MedinaNoelia Galván DesvauxUniversitat Politècnica de Valènciaarticlepaul rudolphralph twitchellfinney househealy houseArchitectureNA1-9428ESEGA , Vol 26, Iss 43, Pp 110-123 (2021) |
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paul rudolph ralph twitchell finney house healy house Architecture NA1-9428 |
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paul rudolph ralph twitchell finney house healy house Architecture NA1-9428 Álvaro Moral García Javier González Medina Noelia Galván Desvaux Paul Rudolph and the project for the Finney Guest House |
description |
This article considers the status of the project for the Finney Guest House within the professional career of Paul Rudolph, and its relationship to two further projects carried out during the same period, the Revere Quality House and the Healy Guest House. In all three cases Roberta Healy Finney appeared as the client or promotor, which leads to the thought that the Finney House might be a precedent for the Healy House. This text comments on some of the best drawings made by Paul Rudolph in the 1940s, including an exercise in the form of a project that he completed under the direction of Walter Gropius, in partial fulfilment of the requirements for obtaining the degree of Master in Architecture at the University of Harvard. |
format |
article |
author |
Álvaro Moral García Javier González Medina Noelia Galván Desvaux |
author_facet |
Álvaro Moral García Javier González Medina Noelia Galván Desvaux |
author_sort |
Álvaro Moral García |
title |
Paul Rudolph and the project for the Finney Guest House |
title_short |
Paul Rudolph and the project for the Finney Guest House |
title_full |
Paul Rudolph and the project for the Finney Guest House |
title_fullStr |
Paul Rudolph and the project for the Finney Guest House |
title_full_unstemmed |
Paul Rudolph and the project for the Finney Guest House |
title_sort |
paul rudolph and the project for the finney guest house |
publisher |
Universitat Politècnica de València |
publishDate |
2021 |
url |
https://doaj.org/article/1729223d77e14b1c896a83a4cc6a02a6 |
work_keys_str_mv |
AT alvaromoralgarcia paulrudolphandtheprojectforthefinneyguesthouse AT javiergonzalezmedina paulrudolphandtheprojectforthefinneyguesthouse AT noeliagalvandesvaux paulrudolphandtheprojectforthefinneyguesthouse |
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1718420115205128192 |