<i>La Passió segons Renée Vivien</i> i el miratge-miracle del mirall

In this article, Rosa Cabré discusses Marçal´s novel and illustrates how, according to the author, the desire of love, which is a source of pleasure often accompanied by guilt and distress, can lead to the creation or the illusion of an absolute beauty, like poetry. She explains in what way the mirr...

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Autor principal: Rosa Cabré
Formato: article
Lenguaje:CA
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Publicado: Universitat de Barcelona 2004
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Acceso en línea:https://doaj.org/article/17663f7428b9462a90201b81cfa026a2
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spelling oai:doaj.org-article:17663f7428b9462a90201b81cfa026a22021-12-02T19:36:55Z<i>La Passió segons Renée Vivien</i> i el miratge-miracle del mirall1136-57812013-9470https://doaj.org/article/17663f7428b9462a90201b81cfa026a22004-01-01T00:00:00Zhttp://revistes.ub.edu/index.php/lectora/article/view/7073https://doaj.org/toc/1136-5781https://doaj.org/toc/2013-9470In this article, Rosa Cabré discusses Marçal´s novel and illustrates how, according to the author, the desire of love, which is a source of pleasure often accompanied by guilt and distress, can lead to the creation or the illusion of an absolute beauty, like poetry. She explains in what way the mirror and the mask, recurring motifs in Marçal´s work, symbolise identity and “otherness” and how these unite the real and the symbolic level. The novel contains an infinite number of mirrors, both external and internal ones, which enable the characters to see themselves reflected. This reflection is linked to feminity and to the possibilities of discovering ones own identity.Rosa CabréUniversitat de BarcelonaarticleWomen. FeminismHQ1101-2030.7CAENESEUFRGLITPTLectora: Revista de Dones i Textualitat, Iss 10 (2004)
institution DOAJ
collection DOAJ
language CA
EN
ES
EU
FR
GL
IT
PT
topic Women. Feminism
HQ1101-2030.7
spellingShingle Women. Feminism
HQ1101-2030.7
Rosa Cabré
<i>La Passió segons Renée Vivien</i> i el miratge-miracle del mirall
description In this article, Rosa Cabré discusses Marçal´s novel and illustrates how, according to the author, the desire of love, which is a source of pleasure often accompanied by guilt and distress, can lead to the creation or the illusion of an absolute beauty, like poetry. She explains in what way the mirror and the mask, recurring motifs in Marçal´s work, symbolise identity and “otherness” and how these unite the real and the symbolic level. The novel contains an infinite number of mirrors, both external and internal ones, which enable the characters to see themselves reflected. This reflection is linked to feminity and to the possibilities of discovering ones own identity.
format article
author Rosa Cabré
author_facet Rosa Cabré
author_sort Rosa Cabré
title <i>La Passió segons Renée Vivien</i> i el miratge-miracle del mirall
title_short <i>La Passió segons Renée Vivien</i> i el miratge-miracle del mirall
title_full <i>La Passió segons Renée Vivien</i> i el miratge-miracle del mirall
title_fullStr <i>La Passió segons Renée Vivien</i> i el miratge-miracle del mirall
title_full_unstemmed <i>La Passió segons Renée Vivien</i> i el miratge-miracle del mirall
title_sort <i>la passió segons renée vivien</i> i el miratge-miracle del mirall
publisher Universitat de Barcelona
publishDate 2004
url https://doaj.org/article/17663f7428b9462a90201b81cfa026a2
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