A Structural Essay on Haiku Aesthetics and Oruç Aruoba’s Haikus / Haiku Estetiği ve Oruç Aruoba’nın Haikuları Üzerine Yapısal Bir Deneme
Haiku is the shortest type of poetry known in the World. After leaving the borders of Japan, the first reflections appear especially in French poetry. Haiku, which has Japanese culture and beliefs in its background, is not a creed but has a life philosophy with its own. Haiku tries to put forward...
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Cyprus International University
2021
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oai:doaj.org-article:182827d38fe64de88eef05c6038651d92021-11-04T10:55:51ZA Structural Essay on Haiku Aesthetics and Oruç Aruoba’s Haikus / Haiku Estetiği ve Oruç Aruoba’nın Haikuları Üzerine Yapısal Bir Deneme10.22559/folklor.17671300-7491https://doaj.org/article/182827d38fe64de88eef05c6038651d92021-11-01T00:00:00Zhttps://www.folkloredebiyat.org/Makaleler/2049894188_108.10.makale%20Nurcihan%20Akhan-%20Didem%20A.B%c3%bcy%c3%bckarman%20(haiku%20esteti%c4%9fi).pdfhttps://doaj.org/toc/1300-7491Haiku is the shortest type of poetry known in the World. After leaving the borders of Japan, the first reflections appear especially in French poetry. Haiku, which has Japanese culture and beliefs in its background, is not a creed but has a life philosophy with its own. Haiku tries to put forward that philosophy of life in the simplest way. In japanese culture and beliefs, nature takes the first place. Haiku carries the traces of a life identical to nature. Haiku poetry, which entered Turkish literature with French translations, is not a type of poetry adopted until recently, although its name is mentioned from time to time. But in 90’s, haiku has become popular in Turkish poetry. Also in that years, respectable amount of haiku readers begin to emerge in our country. In this article, the brief history of haiku as a genre is mentioned and main points in Turkish poetry were tried to be determined. Finally, the haikus written by Oruç Aruoba, who have made significiant contributions to the recognition and meaning of haiku poetry, have been evaluted. Some of the haikus he wrote were selected and examined in terms of structure and essence, and it was tried to draw attention to the polysemy of haiku.Nurcihan Akhan*Didem Ardalı Büyükarman**Cyprus International Universityarticleoruç aruobahaikune ki hiçpoetrynatureturkish literatureGeography. Anthropology. RecreationGFolkloreGR1-950ENTRFolklor/Edebiyat, Vol 27, Iss 108, Pp 1127-1138 (2021) |
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oruç aruoba haiku ne ki hiç poetry nature turkish literature Geography. Anthropology. Recreation G Folklore GR1-950 |
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oruç aruoba haiku ne ki hiç poetry nature turkish literature Geography. Anthropology. Recreation G Folklore GR1-950 Nurcihan Akhan* Didem Ardalı Büyükarman** A Structural Essay on Haiku Aesthetics and Oruç Aruoba’s Haikus / Haiku Estetiği ve Oruç Aruoba’nın Haikuları Üzerine Yapısal Bir Deneme |
| description |
Haiku is the shortest type of poetry known in the World. After leaving the borders
of Japan, the first reflections appear especially in French poetry. Haiku, which
has Japanese culture and beliefs in its background, is not a creed but has a life
philosophy with its own. Haiku tries to put forward that philosophy of life in the
simplest way. In japanese culture and beliefs, nature takes the first place. Haiku
carries the traces of a life identical to nature.
Haiku poetry, which entered Turkish literature with French translations, is not a
type of poetry adopted until recently, although its name is mentioned from time to
time. But in 90’s, haiku has become popular in Turkish poetry. Also in that years,
respectable amount of haiku readers begin to emerge in our country.
In this article, the brief history of haiku as a genre is mentioned and main points
in Turkish poetry were tried to be determined. Finally, the haikus written by Oruç
Aruoba, who have made significiant contributions to the recognition and meaning
of haiku poetry, have been evaluted. Some of the haikus he wrote were selected
and examined in terms of structure and essence, and it was tried to draw attention
to the polysemy of haiku. |
| format |
article |
| author |
Nurcihan Akhan* Didem Ardalı Büyükarman** |
| author_facet |
Nurcihan Akhan* Didem Ardalı Büyükarman** |
| author_sort |
Nurcihan Akhan* |
| title |
A Structural Essay on Haiku Aesthetics and Oruç Aruoba’s Haikus / Haiku Estetiği ve Oruç Aruoba’nın Haikuları Üzerine Yapısal Bir Deneme |
| title_short |
A Structural Essay on Haiku Aesthetics and Oruç Aruoba’s Haikus / Haiku Estetiği ve Oruç Aruoba’nın Haikuları Üzerine Yapısal Bir Deneme |
| title_full |
A Structural Essay on Haiku Aesthetics and Oruç Aruoba’s Haikus / Haiku Estetiği ve Oruç Aruoba’nın Haikuları Üzerine Yapısal Bir Deneme |
| title_fullStr |
A Structural Essay on Haiku Aesthetics and Oruç Aruoba’s Haikus / Haiku Estetiği ve Oruç Aruoba’nın Haikuları Üzerine Yapısal Bir Deneme |
| title_full_unstemmed |
A Structural Essay on Haiku Aesthetics and Oruç Aruoba’s Haikus / Haiku Estetiği ve Oruç Aruoba’nın Haikuları Üzerine Yapısal Bir Deneme |
| title_sort |
structural essay on haiku aesthetics and oruç aruoba’s haikus / haiku estetiği ve oruç aruoba’nın haikuları üzerine yapısal bir deneme |
| publisher |
Cyprus International University |
| publishDate |
2021 |
| url |
https://doaj.org/article/182827d38fe64de88eef05c6038651d9 |
| work_keys_str_mv |
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