A fotografia e o processo de construção social da memória

The photograph as a document is almost always linked to memory, a visual memory that portrays, re-signifies and re-contextualizes the social action of the look. In this sense the photographer is a social actor who, among other things, intrumentalizes the look by highlighting aesthetic realities in a...

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Autor principal: Sergio Luiz Pereira da Silva
Formato: article
Lenguaje:PT
Publicado: Universidade do Vale do Rio dos Sinos (UNISINOS) 2011
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H
Acceso en línea:https://doaj.org/article/187f5a668cd947b49cf702895ddbc1f1
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spelling oai:doaj.org-article:187f5a668cd947b49cf702895ddbc1f12021-11-11T15:41:58ZA fotografia e o processo de construção social da memória2177-6229https://doaj.org/article/187f5a668cd947b49cf702895ddbc1f12011-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=93821299006https://doaj.org/toc/2177-6229The photograph as a document is almost always linked to memory, a visual memory that portrays, re-signifies and re-contextualizes the social action of the look. In this sense the photographer is a social actor who, among other things, intrumentalizes the look by highlighting aesthetic realities in a field of particular perception that becomes public, particularly today in a post-conventional social context. This paper reflects on this process of post-conventional change in which visual culture is situated and in which photography and memory are increasingly involved, weaving new identities.Sergio Luiz Pereira da SilvaUniversidade do Vale do Rio dos Sinos (UNISINOS)articlephotographmemoryidentitySocial SciencesHSocial sciences (General)H1-99PTCiências Sociais Unisinos, Vol 47, Iss 3, Pp 228-231 (2011)
institution DOAJ
collection DOAJ
language PT
topic photograph
memory
identity
Social Sciences
H
Social sciences (General)
H1-99
spellingShingle photograph
memory
identity
Social Sciences
H
Social sciences (General)
H1-99
Sergio Luiz Pereira da Silva
A fotografia e o processo de construção social da memória
description The photograph as a document is almost always linked to memory, a visual memory that portrays, re-signifies and re-contextualizes the social action of the look. In this sense the photographer is a social actor who, among other things, intrumentalizes the look by highlighting aesthetic realities in a field of particular perception that becomes public, particularly today in a post-conventional social context. This paper reflects on this process of post-conventional change in which visual culture is situated and in which photography and memory are increasingly involved, weaving new identities.
format article
author Sergio Luiz Pereira da Silva
author_facet Sergio Luiz Pereira da Silva
author_sort Sergio Luiz Pereira da Silva
title A fotografia e o processo de construção social da memória
title_short A fotografia e o processo de construção social da memória
title_full A fotografia e o processo de construção social da memória
title_fullStr A fotografia e o processo de construção social da memória
title_full_unstemmed A fotografia e o processo de construção social da memória
title_sort fotografia e o processo de construção social da memória
publisher Universidade do Vale do Rio dos Sinos (UNISINOS)
publishDate 2011
url https://doaj.org/article/187f5a668cd947b49cf702895ddbc1f1
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