A fotografia e o processo de construção social da memória
The photograph as a document is almost always linked to memory, a visual memory that portrays, re-signifies and re-contextualizes the social action of the look. In this sense the photographer is a social actor who, among other things, intrumentalizes the look by highlighting aesthetic realities in a...
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Universidade do Vale do Rio dos Sinos (UNISINOS)
2011
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oai:doaj.org-article:187f5a668cd947b49cf702895ddbc1f12021-11-11T15:41:58ZA fotografia e o processo de construção social da memória2177-6229https://doaj.org/article/187f5a668cd947b49cf702895ddbc1f12011-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=93821299006https://doaj.org/toc/2177-6229The photograph as a document is almost always linked to memory, a visual memory that portrays, re-signifies and re-contextualizes the social action of the look. In this sense the photographer is a social actor who, among other things, intrumentalizes the look by highlighting aesthetic realities in a field of particular perception that becomes public, particularly today in a post-conventional social context. This paper reflects on this process of post-conventional change in which visual culture is situated and in which photography and memory are increasingly involved, weaving new identities.Sergio Luiz Pereira da SilvaUniversidade do Vale do Rio dos Sinos (UNISINOS)articlephotographmemoryidentitySocial SciencesHSocial sciences (General)H1-99PTCiências Sociais Unisinos, Vol 47, Iss 3, Pp 228-231 (2011) |
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DOAJ |
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DOAJ |
language |
PT |
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photograph memory identity Social Sciences H Social sciences (General) H1-99 |
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photograph memory identity Social Sciences H Social sciences (General) H1-99 Sergio Luiz Pereira da Silva A fotografia e o processo de construção social da memória |
description |
The photograph as a document is almost always linked to memory, a visual memory that portrays, re-signifies and re-contextualizes the social action of the look. In this sense the photographer is a social actor who, among other things, intrumentalizes the look by highlighting aesthetic realities in a field of particular perception that becomes public, particularly today in a post-conventional social context. This paper reflects on this process of post-conventional change in which visual culture is situated and in which photography and memory are increasingly involved, weaving new identities. |
format |
article |
author |
Sergio Luiz Pereira da Silva |
author_facet |
Sergio Luiz Pereira da Silva |
author_sort |
Sergio Luiz Pereira da Silva |
title |
A fotografia e o processo de construção social da memória |
title_short |
A fotografia e o processo de construção social da memória |
title_full |
A fotografia e o processo de construção social da memória |
title_fullStr |
A fotografia e o processo de construção social da memória |
title_full_unstemmed |
A fotografia e o processo de construção social da memória |
title_sort |
fotografia e o processo de construção social da memória |
publisher |
Universidade do Vale do Rio dos Sinos (UNISINOS) |
publishDate |
2011 |
url |
https://doaj.org/article/187f5a668cd947b49cf702895ddbc1f1 |
work_keys_str_mv |
AT sergioluizpereiradasilva afotografiaeoprocessodeconstrucaosocialdamemoria AT sergioluizpereiradasilva fotografiaeoprocessodeconstrucaosocialdamemoria |
_version_ |
1718434132901494784 |