Relíquias da casa velha: literatura e ditadura militar, 50 anos depois
This essay tries to relate specific actions of the military regime in the field of culture to the effective consolidation of a cultural industry in Brazil. It is based on a more or less alleatory search in newspapers and magazines of the period. It also revisits the critical literature about the sub...
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Universidade de Brasília
2014
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oai:doaj.org-article:18f1d3a342f343059e382fccaa78ab632021-11-11T15:52:08ZRelíquias da casa velha: literatura e ditadura militar, 50 anos depois1518-01582316-4018https://doaj.org/article/18f1d3a342f343059e382fccaa78ab632014-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=323130679009https://doaj.org/toc/1518-0158https://doaj.org/toc/2316-4018This essay tries to relate specific actions of the military regime in the field of culture to the effective consolidation of a cultural industry in Brazil. It is based on a more or less alleatory search in newspapers and magazines of the period. It also revisits the critical literature about the subject and retakes my own previous researches. The assumption is that the cultural industry consolidation has produced in a tensioned way, significant modifications in the preexistent matrixes of Brazilian fiction, mainly in its themes, which translated the mallaise and perplexity of those difficult years, as well as their derivations to this day.Tânia PellegriniUniversidade de Brasíliaarticlemilitary dictatorshipcultural industryliterary matricesFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999ESPTEstudos de Literatura Brasileira Contemporânea, Iss 43, Pp 151-178 (2014) |
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military dictatorship cultural industry literary matrices French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 |
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military dictatorship cultural industry literary matrices French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Tânia Pellegrini Relíquias da casa velha: literatura e ditadura militar, 50 anos depois |
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This essay tries to relate specific actions of the military regime in the field of culture to the effective consolidation of a cultural industry in Brazil. It is based on a more or less alleatory search in newspapers and magazines of the period. It also revisits the critical literature about the subject and retakes my own previous researches. The assumption is that the cultural industry consolidation has produced in a tensioned way, significant modifications in the preexistent matrixes of Brazilian fiction, mainly in its themes, which translated the mallaise and perplexity of those difficult years, as well as their derivations to this day. |
format |
article |
author |
Tânia Pellegrini |
author_facet |
Tânia Pellegrini |
author_sort |
Tânia Pellegrini |
title |
Relíquias da casa velha: literatura e ditadura militar, 50 anos depois |
title_short |
Relíquias da casa velha: literatura e ditadura militar, 50 anos depois |
title_full |
Relíquias da casa velha: literatura e ditadura militar, 50 anos depois |
title_fullStr |
Relíquias da casa velha: literatura e ditadura militar, 50 anos depois |
title_full_unstemmed |
Relíquias da casa velha: literatura e ditadura militar, 50 anos depois |
title_sort |
relíquias da casa velha: literatura e ditadura militar, 50 anos depois |
publisher |
Universidade de Brasília |
publishDate |
2014 |
url |
https://doaj.org/article/18f1d3a342f343059e382fccaa78ab63 |
work_keys_str_mv |
AT taniapellegrini reliquiasdacasavelhaliteraturaeditaduramilitar50anosdepois |
_version_ |
1718433225700802560 |