India for the Masses: the Typical and the Topical in the Murals at the Golden Gate International Exposition (1939-1940)
This paper deals with the representation of India in the murals at San Francisco’s Golden Gate International Exposition (1939-1940) and the codes and examples used by the author Miguel Covarrubias to show the massive North American audience – generally, poorly interested in India – the people, the...
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Universitat Autònoma de Barcelona
2015
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oai:doaj.org-article:18f41d0ef6eb4ce5aca6133436d634a92021-12-02T16:53:53ZIndia for the Masses: the Typical and the Topical in the Murals at the Golden Gate International Exposition (1939-1940)2339-852310.5565/rev/indialogs.14https://doaj.org/article/18f41d0ef6eb4ce5aca6133436d634a92015-04-01T00:00:00Zhttps://revistes.uab.cat/indialogs/article/view/14https://doaj.org/toc/2339-8523This paper deals with the representation of India in the murals at San Francisco’s Golden Gate International Exposition (1939-1940) and the codes and examples used by the author Miguel Covarrubias to show the massive North American audience – generally, poorly interested in India – the people, the Art, the native dwellings and means of transportations, the flora and the fauna and the economy of the Indian subcontinent.Marisa Peiró MárquezUniversitat Autònoma de Barcelonaarticlemapssymbolic representationscaricatureunited statesinterwar periodtopicsinternational and universal expositionsmiguel covarrubiasGeneral WorksAENESIndialogs: Spanish Journal of India Studies, Vol 2, Iss 0, Pp 93-113 (2015) |
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maps symbolic representations caricature united states interwar period topics international and universal expositions miguel covarrubias General Works A |
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maps symbolic representations caricature united states interwar period topics international and universal expositions miguel covarrubias General Works A Marisa Peiró Márquez India for the Masses: the Typical and the Topical in the Murals at the Golden Gate International Exposition (1939-1940) |
description |
This paper deals with the representation of India in the murals at San Francisco’s Golden Gate International Exposition (1939-1940) and the codes and examples used by the author Miguel Covarrubias to show the massive North American audience – generally, poorly interested in India – the people, the Art, the native dwellings and means of transportations, the flora and the fauna and the economy of the Indian subcontinent. |
format |
article |
author |
Marisa Peiró Márquez |
author_facet |
Marisa Peiró Márquez |
author_sort |
Marisa Peiró Márquez |
title |
India for the Masses: the Typical and the Topical in the Murals at the Golden Gate International Exposition (1939-1940) |
title_short |
India for the Masses: the Typical and the Topical in the Murals at the Golden Gate International Exposition (1939-1940) |
title_full |
India for the Masses: the Typical and the Topical in the Murals at the Golden Gate International Exposition (1939-1940) |
title_fullStr |
India for the Masses: the Typical and the Topical in the Murals at the Golden Gate International Exposition (1939-1940) |
title_full_unstemmed |
India for the Masses: the Typical and the Topical in the Murals at the Golden Gate International Exposition (1939-1940) |
title_sort |
india for the masses: the typical and the topical in the murals at the golden gate international exposition (1939-1940) |
publisher |
Universitat Autònoma de Barcelona |
publishDate |
2015 |
url |
https://doaj.org/article/18f41d0ef6eb4ce5aca6133436d634a9 |
work_keys_str_mv |
AT marisapeiromarquez indiaforthemassesthetypicalandthetopicalinthemuralsatthegoldengateinternationalexposition19391940 |
_version_ |
1718382842689355776 |