BUMBAS E TAMBORES NUM CIRCUITO TRANSLOCAL: notas sobre a construção translocal do patrimônio cultural do Maranhão
Frequently, the construction of two of the most significant cultural heritage characteristic of Maranhão, bumbameu- boi and tambor de mina, have been related to historical and social processes domestic and local. In this work, it is noted that, at least since the late nineteenth century, the set of...
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Universidade Federal do Maranhão
2014
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oai:doaj.org-article:1932e6cc51f24999ac15484550073b5c2021-11-11T15:50:44ZBUMBAS E TAMBORES NUM CIRCUITO TRANSLOCAL: notas sobre a construção translocal do patrimônio cultural do Maranhão2178-2865https://doaj.org/article/1932e6cc51f24999ac15484550073b5c2014-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=321131273035https://doaj.org/toc/2178-2865Frequently, the construction of two of the most significant cultural heritage characteristic of Maranhão, bumbameu- boi and tambor de mina, have been related to historical and social processes domestic and local. In this work, it is noted that, at least since the late nineteenth century, the set of symbols and practices which establishes the bumba-meuboi and the tambor de mina have been translocally gestated: the circulation of ideas, objects and subjects have broken the geographical boundaries of Maranhão and Brazil, and this process has been fundamental in transforming local culture.Antonio Evaldo Almeida BarrosUniversidade Federal do Maranhãoarticlebumbameuboitambor de minatranslocalPolitical scienceJPolitical institutions and public administration (General)JF20-2112ENESFRPTRevista de Políticas Públicas, Pp 341-349 (2014) |
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EN ES FR PT |
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bumba meu boi tambor de mina translocal Political science J Political institutions and public administration (General) JF20-2112 |
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bumba meu boi tambor de mina translocal Political science J Political institutions and public administration (General) JF20-2112 Antonio Evaldo Almeida Barros BUMBAS E TAMBORES NUM CIRCUITO TRANSLOCAL: notas sobre a construção translocal do patrimônio cultural do Maranhão |
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Frequently, the construction of two of the most significant cultural heritage characteristic of Maranhão, bumbameu- boi and tambor de mina, have been related to historical and social processes domestic and local. In this work, it is noted that, at least since the late nineteenth century, the set of symbols and practices which establishes the bumba-meuboi and the tambor de mina have been translocally gestated: the circulation of ideas, objects and subjects have broken the geographical boundaries of Maranhão and Brazil, and this process has been fundamental in transforming local culture. |
format |
article |
author |
Antonio Evaldo Almeida Barros |
author_facet |
Antonio Evaldo Almeida Barros |
author_sort |
Antonio Evaldo Almeida Barros |
title |
BUMBAS E TAMBORES NUM CIRCUITO TRANSLOCAL: notas sobre a construção translocal do patrimônio cultural do Maranhão |
title_short |
BUMBAS E TAMBORES NUM CIRCUITO TRANSLOCAL: notas sobre a construção translocal do patrimônio cultural do Maranhão |
title_full |
BUMBAS E TAMBORES NUM CIRCUITO TRANSLOCAL: notas sobre a construção translocal do patrimônio cultural do Maranhão |
title_fullStr |
BUMBAS E TAMBORES NUM CIRCUITO TRANSLOCAL: notas sobre a construção translocal do patrimônio cultural do Maranhão |
title_full_unstemmed |
BUMBAS E TAMBORES NUM CIRCUITO TRANSLOCAL: notas sobre a construção translocal do patrimônio cultural do Maranhão |
title_sort |
bumbas e tambores num circuito translocal: notas sobre a construção translocal do patrimônio cultural do maranhão |
publisher |
Universidade Federal do Maranhão |
publishDate |
2014 |
url |
https://doaj.org/article/1932e6cc51f24999ac15484550073b5c |
work_keys_str_mv |
AT antonioevaldoalmeidabarros bumbasetamboresnumcircuitotranslocalnotassobreaconstrucaotranslocaldopatrimonioculturaldomaranhao |
_version_ |
1718433492578074624 |