Bérénice romantique
In the nineteenth century, Bérénice was regarded as a separate play in the Racinian repertoire. Bérénice was held to be rather a poetic experiment than a usual theatre play. This particular status of Bérénice in the nineteenth-century imagination results from at least three factors: the originality...
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Institut du Monde Anglophone
2021
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oai:doaj.org-article:193e5b2d689644558f6e05e237a442782021-12-02T10:16:39ZBérénice romantique1634-045010.4000/episteme.13153https://doaj.org/article/193e5b2d689644558f6e05e237a442782021-10-01T00:00:00Zhttp://journals.openedition.org/episteme/13153https://doaj.org/toc/1634-0450In the nineteenth century, Bérénice was regarded as a separate play in the Racinian repertoire. Bérénice was held to be rather a poetic experiment than a usual theatre play. This particular status of Bérénice in the nineteenth-century imagination results from at least three factors: the originality of its plot whose action was supposedly “internal”, the context in which the play was created, and the relative absence of Bérénice from the romantic stage. But for the romantics, Bérénice was also a play with a "meta-critical" value. Critics used the powerful emotions and the elegiac inspiration of Bérénice as arguments to denounce the spectacular violence of romantic drama. Such are the aspects of Bérénice's reception which this article proposes to investigate.Sylvain LeddaInstitut du Monde AnglophonearticleRomanticismComédie FrançaiseElegyLiterary historyHistory (General) and history of EuropeDFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999ENFREtudes Epistémè, Vol 40 (2021) |
| institution |
DOAJ |
| collection |
DOAJ |
| language |
EN FR |
| topic |
Romanticism Comédie Française Elegy Literary history History (General) and history of Europe D French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 |
| spellingShingle |
Romanticism Comédie Française Elegy Literary history History (General) and history of Europe D French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Sylvain Ledda Bérénice romantique |
| description |
In the nineteenth century, Bérénice was regarded as a separate play in the Racinian repertoire. Bérénice was held to be rather a poetic experiment than a usual theatre play. This particular status of Bérénice in the nineteenth-century imagination results from at least three factors: the originality of its plot whose action was supposedly “internal”, the context in which the play was created, and the relative absence of Bérénice from the romantic stage. But for the romantics, Bérénice was also a play with a "meta-critical" value. Critics used the powerful emotions and the elegiac inspiration of Bérénice as arguments to denounce the spectacular violence of romantic drama. Such are the aspects of Bérénice's reception which this article proposes to investigate. |
| format |
article |
| author |
Sylvain Ledda |
| author_facet |
Sylvain Ledda |
| author_sort |
Sylvain Ledda |
| title |
Bérénice romantique |
| title_short |
Bérénice romantique |
| title_full |
Bérénice romantique |
| title_fullStr |
Bérénice romantique |
| title_full_unstemmed |
Bérénice romantique |
| title_sort |
bérénice romantique |
| publisher |
Institut du Monde Anglophone |
| publishDate |
2021 |
| url |
https://doaj.org/article/193e5b2d689644558f6e05e237a44278 |
| work_keys_str_mv |
AT sylvainledda bereniceromantique |
| _version_ |
1718397395956400128 |