'One Thousand Six Hundred and Fifty Rounds’: Colonial Violence in the Representations of the Jallianwala Bagh Massacre

The Jallianwala Bagh massacre in Amritsar in 1919 paved way for the independence of India and Pakistan. The paper looks at the narrative strategies of representing the incident in Salman Rushdie’s Midnight’s Children and Shauna Singh Baldwin’s What the Body Remembers. How do these texts engage with...

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Autor principal:	Joel Kuortti
Formato:	article
Lenguaje:	EN ES
Publicado:	Universitat Autònoma de Barcelona 2014
Materias:	salman rushdie shauna singh baldwin jallianwala bagh massacre colonial politics narrative strategies representation General Works A
Acceso en línea:	https://doaj.org/article/194eb7ed51d9445faf1edcaf6f38b7bf
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spelling	oai:doaj.org-article:194eb7ed51d9445faf1edcaf6f38b7bf2021-12-02T15:42:15Z'One Thousand Six Hundred and Fifty Rounds’: Colonial Violence in the Representations of the Jallianwala Bagh Massacre2339-852310.5565/rev/indialogs.3https://doaj.org/article/194eb7ed51d9445faf1edcaf6f38b7bf2014-04-01T00:00:00Zhttps://revistes.uab.cat/indialogs/article/view/3https://doaj.org/toc/2339-8523The Jallianwala Bagh massacre in Amritsar in 1919 paved way for the independence of India and Pakistan. The paper looks at the narrative strategies of representing the incident in Salman Rushdie’s Midnight’s Children and Shauna Singh Baldwin’s What the Body Remembers. How do these texts engage with the colonial political situation? How do the two writers see the repercussions of the incident for the time of their narratives?Joel KuorttiUniversitat Autònoma de Barcelonaarticlesalman rushdieshauna singh baldwinjallianwala bagh massacrecolonial politicsnarrative strategiesrepresentationGeneral WorksAENESIndialogs: Spanish Journal of India Studies, Vol 1, Iss 0, Pp 38-50 (2014)
institution	DOAJ
collection	DOAJ
language	EN ES
topic	salman rushdie shauna singh baldwin jallianwala bagh massacre colonial politics narrative strategies representation General Works A
spellingShingle	salman rushdie shauna singh baldwin jallianwala bagh massacre colonial politics narrative strategies representation General Works A Joel Kuortti 'One Thousand Six Hundred and Fifty Rounds’: Colonial Violence in the Representations of the Jallianwala Bagh Massacre
description	The Jallianwala Bagh massacre in Amritsar in 1919 paved way for the independence of India and Pakistan. The paper looks at the narrative strategies of representing the incident in Salman Rushdie’s Midnight’s Children and Shauna Singh Baldwin’s What the Body Remembers. How do these texts engage with the colonial political situation? How do the two writers see the repercussions of the incident for the time of their narratives?
format	article
author	Joel Kuortti
author_facet	Joel Kuortti
author_sort	Joel Kuortti
title	'One Thousand Six Hundred and Fifty Rounds’: Colonial Violence in the Representations of the Jallianwala Bagh Massacre
title_short	'One Thousand Six Hundred and Fifty Rounds’: Colonial Violence in the Representations of the Jallianwala Bagh Massacre
title_full	'One Thousand Six Hundred and Fifty Rounds’: Colonial Violence in the Representations of the Jallianwala Bagh Massacre
title_fullStr	'One Thousand Six Hundred and Fifty Rounds’: Colonial Violence in the Representations of the Jallianwala Bagh Massacre
title_full_unstemmed	'One Thousand Six Hundred and Fifty Rounds’: Colonial Violence in the Representations of the Jallianwala Bagh Massacre
title_sort	'one thousand six hundred and fifty rounds’: colonial violence in the representations of the jallianwala bagh massacre
publisher	Universitat Autònoma de Barcelona
publishDate	2014
url	https://doaj.org/article/194eb7ed51d9445faf1edcaf6f38b7bf
work_keys_str_mv	AT joelkuortti onethousandsixhundredandfiftyroundscolonialviolenceintherepresentationsofthejallianwalabaghmassacre
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'One Thousand Six Hundred and Fifty Rounds’: Colonial Violence in the Representations of the Jallianwala Bagh Massacre

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