Domesticacions, domesticitats i altres qüestions de gènere

This article uses Lyotard’s theory linking the origins of thinking with desire and with the existence of a sexually- differentiated body to examine Maria-Mercè Marçal’s poem, “El meu amor sense casa,” as a “lyrical practice of feminism and difference, a writing of the body.” From this perspective, i...

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Autor principal: Joana Sabadell-Nieto
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Publicado: Universitat de Barcelona 2004
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Acceso en línea:https://doaj.org/article/1a55b6319def4607be58965132b5866d
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spelling oai:doaj.org-article:1a55b6319def4607be58965132b5866d2021-12-02T19:36:55ZDomesticacions, domesticitats i altres qüestions de gènere1136-57812013-9470https://doaj.org/article/1a55b6319def4607be58965132b5866d2004-01-01T00:00:00Zhttp://revistes.ub.edu/index.php/lectora/article/view/7074https://doaj.org/toc/1136-5781https://doaj.org/toc/2013-9470This article uses Lyotard’s theory linking the origins of thinking with desire and with the existence of a sexually- differentiated body to examine Maria-Mercè Marçal’s poem, “El meu amor sense casa,” as a “lyrical practice of feminism and difference, a writing of the body.” From this perspective, it pays attention to Marçal’s poetry as an inscription of sexual difference in language and literary practices, transforming them, destabilizing them and turning them into thinking tools for all. The central figure of the home or domus in the poem embodies the binary ambiguities that are largely undone by the appropriation of a hegemonic discourse by a body that is generically and sexually “different.” Marçal’s poem thus provides an architectural genealogy of a poetic subject that thinks in a body that is both female and lesbian.Joana Sabadell-NietoUniversitat de BarcelonaarticleWomen. FeminismHQ1101-2030.7CAENESEUFRGLITPTLectora: Revista de Dones i Textualitat, Iss 10 (2004)
institution DOAJ
collection DOAJ
language CA
EN
ES
EU
FR
GL
IT
PT
topic Women. Feminism
HQ1101-2030.7
spellingShingle Women. Feminism
HQ1101-2030.7
Joana Sabadell-Nieto
Domesticacions, domesticitats i altres qüestions de gènere
description This article uses Lyotard’s theory linking the origins of thinking with desire and with the existence of a sexually- differentiated body to examine Maria-Mercè Marçal’s poem, “El meu amor sense casa,” as a “lyrical practice of feminism and difference, a writing of the body.” From this perspective, it pays attention to Marçal’s poetry as an inscription of sexual difference in language and literary practices, transforming them, destabilizing them and turning them into thinking tools for all. The central figure of the home or domus in the poem embodies the binary ambiguities that are largely undone by the appropriation of a hegemonic discourse by a body that is generically and sexually “different.” Marçal’s poem thus provides an architectural genealogy of a poetic subject that thinks in a body that is both female and lesbian.
format article
author Joana Sabadell-Nieto
author_facet Joana Sabadell-Nieto
author_sort Joana Sabadell-Nieto
title Domesticacions, domesticitats i altres qüestions de gènere
title_short Domesticacions, domesticitats i altres qüestions de gènere
title_full Domesticacions, domesticitats i altres qüestions de gènere
title_fullStr Domesticacions, domesticitats i altres qüestions de gènere
title_full_unstemmed Domesticacions, domesticitats i altres qüestions de gènere
title_sort domesticacions, domesticitats i altres qüestions de gènere
publisher Universitat de Barcelona
publishDate 2004
url https://doaj.org/article/1a55b6319def4607be58965132b5866d
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