INTERMEDIAL TRANSFERS AND TRANSFORMATIONS ACROSS PERIODS: THE LITERARY WORK GOETHE'S 'FAUST' AND BUSHIDO'S 'MEPHISTO'

In this study, the term intermediality, together with the term intertextuality, should serve as a theoretical model for analyzing two diverse texts or types of text from the fields of literature and music on the basis of their medial transmission. The intention is to determine the mutual effects of...

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Autores principales: Cüneyt ARSLAN, Sefa YILDIZ
Formato: article
Lenguaje:DE
EN
FR
TR
Publicado: Fırat University 2021
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Acceso en línea:https://doaj.org/article/1a9485d17cdf47129fa89f965a04095b
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Sumario:In this study, the term intermediality, together with the term intertextuality, should serve as a theoretical model for analyzing two diverse texts or types of text from the fields of literature and music on the basis of their medial transmission. The intention is to determine the mutual effects of literature and music on the basis of diachronic text which are to be semantized with one another in the first instance. In addition, it should be stated that the term intermediality, which comes from the corpus of media studies, also makes a notable contribution to new discourses within the recalibration of the subject of German studies in the 21st century. On the basis of theories of intermediality and intertextuality, the following central questions are to be dealt with in the present work: - What is the intermedial relationship between literature and music? What are the similarities or differences between the writing systems of literature and music? Which stylistic devices play a role in the media transformation? At the level of these questions, two texts from different epochs and art genres are used as objects of investigation; Johann Wolfgang Goethe and his great work "Faust" (19th century) and the German-speaking rapper Bushido and his lyrics "Mephisto" (21st century).